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<h1 id="firstHeading" class="firstHeading mw-first-heading">Kate Chopin</h1>

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<div id="mw-content-text" class="mw-body-content mw-content-ltr" lang="fr" dir="ltr"><div class="mw-content-ltr mw-parser-output" lang="fr" dir="ltr"><div class="infobox_v3 infobox infobox--frwiki noarchive large"><div class="entete icon auteur" style="background-color:#4C6099;color:#FFFFFF"><div>Kate Chopin<style data-mw-deduplicate="TemplateStyles:r228712544">

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</style></div></div><div><div class="images" style="padding:2px 0"></div></div><table><caption style="color:#FFFFFF;text-align:center;background-color:#4C6099">Biographie</caption><tbody><tr class=""><th scope="row">Naissance</th><td class=""><div>

<time class="nowrap date-lien bday" datetime="1850-02-08" data-sort-value="1850-02-08"><a href="8_f%C3%A9vrier" title="8 février">8</a> <a href="F%C3%A9vrier_1850" title="Février 1850">février</a> <a href="1850_en_litt%C3%A9rature" title="1850 en littérature">1850</a></time> Saint-Louis (Missouri)</div></td></tr><tr class=""><th scope="row">Décès</th><td class=""><div>

<time class="nowrap date-lien dday" datetime="1904-08-22" data-sort-value="1904-08-22"><a href="22_ao%C3%BBt" title="22 août">22</a> <a href="Ao%C3%BBt_1904" title="Août 1904">août</a> <a href="1904_en_litt%C3%A9rature" title="1904 en littérature">1904</a></time> (à 54 ans) Saint-Louis (Missouri)</div></td></tr><tr class=""><th scope="row">Sépulture</th><td class=""><div>

Calvary Cemetery and Mausoleum de Saint-Louis</div></td></tr><tr class=""><th scope="row">Nom de naissance</th><td class=""><div>

Kate O'Flaherty</div></td></tr><tr class=""><th scope="row">Pseudonyme</th><td class=""><div>

La Tour</div></td></tr><tr class=""><th scope="row">Nationalité</th><td class=""><div>

américaine</div></td></tr><tr class=""><th scope="row">Domicile</th><td class=""><div>

Kate Chopin House (<a href="https://en.wikipedia.org/wiki/Kate_Chopin_House_(St._Louis,_Missouri)" class="extiw external" title="en:Kate Chopin House (St. Louis, Missouri)">en</a>) (<time datetime="1903" data-sort-value="1903" class="date-lien"><a href="1903" title="1903">1903</a></time>-<time datetime="1904" data-sort-value="1904" class="date-lien"><a href="1904" title="1904">1904</a></time>)</div></td></tr><tr class=""><th scope="row">Activité</th><td class=""><div>

romancière, nouvelliste, poète, dramaturge</div></td></tr><tr class=""><th scope="row">Période d'activité</th><td class=""><div>

1890-1904</div></td></tr></tbody></table><table><caption style="color:#FFFFFF;text-align:center;background-color:#4C6099">Autres informations</caption><tbody><tr class=""><th scope="row">Genre artistique</th><td class=""><div>

réalisme, régionalisme, folkloriste</div></td></tr><tr class=""><th scope="row">Influencée par</th><td class=""><div>

<a href="Guy_de_Maupassant" title="Guy de Maupassant">Guy de Maupassant</a></div></td></tr><tr class=""><th scope="row">Site web</th><td class=""><div>

<a rel="nofollow" class="external text" href="https://www.katechopin.org/">www.katechopin.org</a></div></td></tr><tr class=""><th scope="row">Distinction</th><td class=""><div>

inscription de son étoile sur le Saint Louis Walk of Fame</div></td></tr><tr class=""><th scope="row">Archives conservées par</th><td class=""><div>

The Kate Chopin International Society</div></td></tr></tbody></table><table><caption style="color:#FFFFFF;text-align:center;background-color:#4C6099">Œuvres principales</caption><tbody><tr class=""><td class=""><div>

The Awakening, Bayou Folk, A Night in Acadie</div></td></tr></tbody></table><div><div class="images" style="padding:2px 0"></div><div class="legend">Signature</div></div><div><div class="images" style="padding:2px 0"></div><div class="legend">Vue de la sépulture.</div></div></div>

Kate Chopin, ou Catherine O'Flaherty au diminutif de Kate O'Flaherty née le <time class="nowrap" datetime="1850-02-08" data-sort-value="1850-02-08">8 février 1850</time> à <a href="Saint-Louis_(Missouri)" title="Saint-Louis (Missouri)">Saint-Louis</a> dans l'État du <a href="Missouri_(%C3%89tat)" title="Missouri (État)">Missouri</a> et morte à Saint-Louis le <time class="nowrap" datetime="1904-08-22" data-sort-value="1904-08-22">22 août 1904</time>, est une <a href="Romanci%C3%A8re" class="mw-redirect" title="Romancière">romancière</a>, <a href="Po%C3%A8te" title="Poète">poète</a>, <a href="Dramaturge" title="Dramaturge">dramaturge</a> et <a href="Nouvelle" title="Nouvelle">nouvelliste</a> <a href="Am%C3%A9ricains_(peuple)" class="mw-redirect" title="Américains (peuple)">américaine</a> de style <a href="R%C3%A9alisme_(litt%C3%A9rature)" title="Réalisme (littérature)">réaliste</a> et <a href="Naturalisme_(litt%C3%A9rature)" title="Naturalisme (littérature)">naturaliste</a>.

D'origine <a href="Irlando-Am%C3%A9ricains" title="Irlando-Américains">irlandaise</a> et <a href="Cr%C3%A9oles_de_Louisiane" title="Créoles de Louisiane">créole de Louisiane</a>, Kate Chopin est l'auteure de plus d'une centaine de nouvelles et de deux romans relevant du courant dit du <a href="R%C3%A9gionalisme_(litt%C3%A9rature)" title="Régionalisme (littérature)">Régionalisme</a> connus pour leur ambiance teintée de culture créole. Elle a animé un <a href="Salon_litt%C3%A9raire" title="Salon littéraire">salon littéraire</a> dans sa résidence à <a href="Saint-Louis_(Missouri)" title="Saint-Louis (Missouri)">Saint-Louis</a>.

Ignorée de son vivant, voire méprisée, Kate Chopin est redécouverte à partir des <a href="Ann%C3%A9es_1950" title="Années 1950">années 1950</a>, notamment par son roman The Awakening, traduit en français sous le titre de <a href="L'%C3%89veil_(Kate_Chopin)" title="L'Éveil (Kate Chopin)">L'Éveil</a>, traitant de la condition des femmes à la fin de l’<a href="%C3%89poque_victorienne" title="Époque victorienne">ère victorienne</a>, des aspirations de celles-ci à la liberté, à l'indépendance, à sortir du carcan du mariage, roman souvent comparé par sa qualité littéraire et sa thématique au roman <a href="Madame_Bovary" title="Madame Bovary">Madame Bovary</a> de <a href="Gustave_Flaubert" title="Gustave Flaubert">Gustave Flaubert</a>. Ce roman préfigure les œuvres littéraires d'inspiration <a href="F%C3%A9minisme" title="Féminisme">féministe</a> du <abbr class="abbr" title="20ᵉ siècle">XXe</abbr> siècle.

<div class="mw-heading mw-heading2"><h2 id="Biographie">Biographie</h2></div>

<div class="mw-heading mw-heading3"><h3 id="Jeunesse_et_formation">Jeunesse et formation</h3></div>

Le père de Kate O'Flaherty, Thomas O'Flaherty, est un homme d'affaires influent originaire de la région de <a href="Galway" title="Galway">Galway</a> en <a href="Irlande_(%C3%AEle)" title="Irlande (île)">Irlande</a>. Sa mère, née Eliza Faris, est membre d'une famille d'origine <a href="Cr%C3%A9oles_de_Louisiane" title="Créoles de Louisiane">créole</a> <a href="Fran%C3%A7ais_du_Missouri" title="Français du Missouri">française de Saint-Louis</a>. Sa grand-mère maternelle, Athénaise Charleville, descend d'une famille de <a href="Canadiens_fran%C3%A7ais" title="Canadiens français">canadiens français</a>. Certains de ses ancêtres comptent parmi les premiers immigrants européens à s'être installés à <a href="Dauphin_Island" title="Dauphin Island">Dauphin Island</a> dans l'actuel État de l'<a href="Alabama" title="Alabama">Alabama</a><a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>,<a href="#cite_note-:3-3">[3]</a>.

<div class="mw-heading mw-heading4"><h4 id="Une_ville_au_climat_malsain">Une ville au climat malsain</h4></div>

Kate O'Flaherty naît le 8 février 1850 à <a href="Saint-Louis_(Missouri)" title="Saint-Louis (Missouri)">Saint-Louis</a>, surnommée la « Gateway to the West / La porte de l'ouest », ville connue pour sa saleté, noircie par les fours au charbon utilisés durant les hivers, ravagée plusieurs fois par des <a href="%C3%89pid%C3%A9mie_de_chol%C3%A9ra" title="Épidémie de choléra">épidémies de choléra</a>, ville au climat insupportable durant l'été où des personnes meurent de <a href="Suffocation" title="Suffocation">suffocation</a><a href="#cite_note-:2-4">[4]</a>,<a href="#cite_note-:3-3">[3]</a>.

<div class="mw-heading mw-heading4"><h4 id="Date_de_naissance">Date de naissance</h4></div>

La date de naissance de Kate O'Flaherty étant discutée pour savoir si elle est née en <a href="1850_aux_%C3%89tats-Unis" title="1850 aux États-Unis">1850</a> ou <a href="1851_aux_%C3%89tats-Unis" title="1851 aux États-Unis">1851</a>, la question est alors tranchée par la consultation des registres de la <a href="Cath%C3%A9drale_Saint-Louis_de_Saint-Louis" title="Cathédrale Saint-Louis de Saint-Louis">cathédrale de Saint-Louis</a> qui indiquent que Kate O'Flaherty y fut <a href="Bapt%C3%AAme" title="Baptême">baptisée</a> le <time class="nowrap" datetime="1850-05-12" data-sort-value="1850-05-12">12 mai 1850</time>, registre signé par le prêtre qui l'a baptisée, spécifiant bien qu'elle est bien née le <time class="nowrap" datetime="1850-02-08" data-sort-value="1850-02-08">8 février 1850</time>, que sa <a href="Parrain_(religion)" title="Parrain (religion)">marraine</a> est Jane Sanguinet et son parrain Charles Sanguinet<a href="#cite_note-:2-4">[4]</a>.

<div class="mw-heading mw-heading4"><h4 id="Tragédies">Tragédies</h4></div>

Le père de Kate O'Flaherty meurt en <a href="1855_aux_%C3%89tats-Unis" title="1855 aux États-Unis">1855</a> lors du trajet inaugural de la ligne <a href="Union_Pacific" title="Union Pacific">Pacific Railroad</a>, dont il est un des fondateurs, quand un pont construit au-dessus de la rivière <a href="Gasconade_(rivi%C3%A8re)" title="Gasconade (rivière)">Gasconade</a>, affluent de la <a href="Missouri_(rivi%C3%A8re)" title="Missouri (rivière)">rivière Missouri</a>, s'écroule. Cette même année, Kate, alors âgée de 5 ans, est envoyée à l'Académie catholique du Sacré-Cœur de Saint-Louis<a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

Après la mort de son père, les liens unissant Kate O'Flaherty à sa mère et à son arrière grand-mère se resserrent. Elle développe un intérêt marqué pour les <a href="Conte_merveilleux" title="Conte merveilleux">contes de fée</a>, la poésie et la religion, mais également pour les romans classiques et contemporains. Sir <a href="Walter_Scott" title="Walter Scott">Walter Scott</a> et <a href="Charles_Dickens" title="Charles Dickens">Charles Dickens</a> comptent alors parmi ses auteurs favoris.

<a href="1863_aux_%C3%89tats-Unis" title="1863 aux États-Unis">1863</a> est une année tragique pour la famille O'Flaherty ; l'arrière grand-mère de Kate O'Flaherty ainsi que son demi-frère, George, meurent. Lors de la <a href="Guerre_de_S%C3%A9cession" title="Guerre de Sécession">guerre de Sécession</a> George O'Flaherty s'est enrôlé dans un régiment d'infanterie à cheval de <a href="%C3%89tats_conf%C3%A9d%C3%A9r%C3%A9s_d'Am%C3%A9rique" title="États confédérés d'Amérique">l'armée confédérée</a> et meurt de la <a href="Fi%C3%A8vre_typho%C3%AFde" title="Fièvre typhoïde">fièvre typhoïde</a> dans un camp de prisonniers à <a href="Little_Rock" title="Little Rock">Little Rock</a> en <a href="Arkansas" title="Arkansas">Arkansas</a>. Cette même année, Kate quitte son école, ce qui lui permet de se plonger dans ses lectures.

<div class="mw-heading mw-heading4"><h4 id="L'Académie_catholique_du_Sacré-Cœur">L'Académie catholique du Sacré-Cœur</h4></div>

En <a href="1865_aux_%C3%89tats-Unis" title="1865 aux États-Unis">1865</a>, Kate O'Flaherty réintègre l'Académie catholique du Sacré-Cœur, dont elle sort diplômée en <a href="1868_aux_%C3%89tats-Unis" title="1868 aux États-Unis">1868</a> sans s'y être vraiment distinguée dans aucune matière, mais en ayant développé un talent de narratrice<a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

Adolescente, Kate O'Flaherty appartient à la haute société de Saint-Louis où elle est réputée pour son éloquence et ses connaissances en matière de musique. C'est lors d'un voyage à <a href="La_Nouvelle-Orl%C3%A9ans" title="La Nouvelle-Orléans">La Nouvelle-Orléans</a> qu'elle fait la rencontre d'une actrice et chanteuse farouchement indépendante qui l'influence fortement. Ses séjours à La Nouvelle-Orléans lui inspirent la nouvelle intitulée Emancipation: A Life Fable. C'est à cette période qu'elle remet en question l'autorité de l'Église catholique en ce qui concerne le rôle de la femme.

<div class="mw-heading mw-heading3"><h3 id="Une_vie_familiale_entre_tragédie_et_ruine_financière">Une vie familiale entre tragédie et ruine financière</h3></div>

Kate O'Flaherty épouse Oscar Chopin le <time class="nowrap" datetime="1870-06-09" data-sort-value="1870-06-09">9 juin 1870</time> à Saint-Louis. Elle entre alors dans la communauté française créole de la ville. Ils partent en <a href="Lune_de_miel_(expression)" title="Lune de miel (expression)">lune de miel</a> en <a href="Allemagne" title="Allemagne">Allemagne</a>, puis en Suisse et finalement en <a href="France" title="France">France</a> avant de revenir précipitamment aux États-Unis lorsque éclate la <a href="Guerre_franco-allemande_de_1870" title="Guerre franco-allemande de 1870">guerre franco-allemande</a><a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

<div class="mw-heading mw-heading4"><h4 id="La_vie_à_La_Nouvelle-Orléans">La vie à La Nouvelle-Orléans</h4></div>

Pendant les dix années suivantes, le couple vit au 1413, Louisiana Avenue à La Nouvelle-Orléans, où Oscar travaille en tant qu'intermédiaire dans le commerce du coton. Kate Chopin met au monde cinq garçons, Jean, Oscar, George, Frederick, Felix-Andre et une fille Lelia. Cela dit, elle assume son rôle de mère tout en ayant une vie sociale active<a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

<a href="Grand_Isle_(Louisiane)" title="Grand Isle (Louisiane)">Grand Isle</a>, station balnéaire du <a href="Golfe_du_Mexique" title="Golfe du Mexique">golfe du Mexique</a>, devient pour la famille Chopin un lieu de <a href="Vill%C3%A9giature" title="Villégiature">villégiature</a> estivale. C'est là que l'indépendance de Kate Chopin s'épanouit et qu'elle commence à flâner seule dans les rues de la ville — pratique largement réprouvée pour une femme à cette époque<a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

<div class="mw-heading mw-heading4"><h4 id="La_tragédie">La tragédie</h4></div>

En <a href="1879_aux_%C3%89tats-Unis" title="1879 aux États-Unis">1879</a>, l'entreprise de revente de coton d'Oscar fait faillite et la famille Chopin déménage à <a href="Cloutierville" title="Cloutierville">Cloutierville</a>, dans la paroisse de <a href="Natchitoches" title="Natchitoches">Natchitoches</a>, sur la <a href="Rivi%C3%A8re_Rouge_(Mississippi)" title="Rivière Rouge (Mississippi)">rivière Rouge</a>, pour gérer plusieurs petites plantations et le magasin du village. C'est là que Kate Chopin acquiert l'expérience de la vie des Noirs et des Créoles qu'elle évoque plus tard dans deux volumes de contes : Bayou Folk (<a href="1894_en_litt%C3%A9rature" title="1894 en littérature">1894</a>), d'où est tirée la nouvelle <a href="Desiree's_Baby" title="Desiree's Baby">Desiree's Baby</a>, et A Night in Acadia (Une nuit en Acadie) (<a href="1897_en_litt%C3%A9rature" title="1897 en littérature">1897</a>), ainsi que dans le roman The Awakening (<a href="L'%C3%89veil_(Kate_Chopin)" title="L'Éveil (Kate Chopin)">L'Éveil</a>) (<a href="1899_en_litt%C3%A9rature" title="1899 en littérature">1899</a>). Leur maison, située au <abbr class="abbr" title="numéro">no</abbr> 243 Highway 495 et construite par Alexis Courtier au début du <abbr class="abbr" title="19ᵉ siècle">XIXe</abbr> siècle, fait aujourd'hui partie du patrimoine historique national et abrite le Bayou Folk Museum <a href="https://en.wikipedia.org/wiki/Bayou_Folk_Museum" class="extiw external" title="en:Bayou Folk Museum">(en)</a><a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

Oscar Chopin meurt de la fièvre <a href="Typho%C3%AFde" class="mw-redirect" title="Typhoïde">typhoïde</a> en <a href="1882_aux_%C3%89tats-Unis" title="1882 aux États-Unis">1882</a> en laissant à sa veuve Kate des dettes s'élevant à la somme de 12 000$<a href="#cite_note-note_1-5">[note 1]</a>. Kate Chopin essaie de gérer les plantations et le magasin toute seule, sans succès. Elle finit par s'engager dans une relation avec un fermier marié<a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

Sa mère la convainc alors de revenir à Saint-Louis avec ses enfants pour mettre fin à ses problèmes financiers. Cette dernière meurt l'année suivante<a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

Kate Chopin est victime d'une <a href="D%C3%A9pression_(psychiatrie)" title="Dépression (psychiatrie)">dépression nerveuse</a>, elle écrit une <a href="Polka_(danse)" title="Polka (danse)">polka</a> pour piano, et son médecin lui suggère l'écriture comme thérapie. Elle suit son conseil et retrouve son intérêt pour la littérature, elle écrit une nouvelle Wiser than a God publiée en <a href="1889_en_litt%C3%A9rature" title="1889 en littérature">1889</a> dans le Musical Journal de <a href="Philadelphie" title="Philadelphie">Philadelphie</a>, c'est l'histoire d'une jeune et talentueuse jeune femme qui renonce à l'amour, au mariage pour se consacrer à son art<a href="#cite_note-:1-2">[2]</a>.

<div class="mw-heading mw-heading3"><h3 id="Carrière_d'écrivaine">Carrière d'écrivaine</h3></div>

<div class="mw-heading mw-heading4"><h4 id="Des_débuts_difficiles">Des débuts difficiles</h4></div>

À la fin des <a href="Ann%C3%A9es_1890" title="Années 1890">années 1890</a>, Kate Chopin écrit des <a href="Nouvelle" title="Nouvelle">nouvelles</a>, des <a href="Article_de_presse" title="Article de presse">articles</a> et des traductions des œuvres de <a href="Guy_de_Maupassant" title="Guy de Maupassant">Guy de Maupassant</a> publiées dans des magazines, notamment le <a href="St._Louis_Post-Dispatch" title="St. Louis Post-Dispatch">Saint Louis Dispatch.</a> Elle est alors classée parmi les <a href="R%C3%A9gionalisme_(litt%C3%A9rature)" title="Régionalisme (littérature)">écrivains régionalistes</a>, mais les qualités littéraires de son œuvre ne sont pas reconnues<a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

En <a href="1890_en_litt%C3%A9rature" title="1890 en littérature">1890</a>, Kate Chopin publie son premier roman At Fault, après avoir été refusé par le Belford's Monthly celui-ci est publié à <a href="%C3%89dition_%C3%A0_compte_d'auteur" title="Édition à compte d'auteur">compte d'auteur</a> ; ce roman est une sorte d'<a href="Autobiographie" title="Autobiographie">autobiographie</a> puisqu'il raconte l'histoire d'une jeune veuve créole dans le cadre de la <a href="Louisiane" title="Louisiane">Louisiane</a> et de la ville de Saint Louis<a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

En <a href="1890_en_litt%C3%A9rature" title="1890 en littérature">1890</a>, Kate Chopin achève l'écriture d'un second roman Young Dr. Gosse qui lui aussi est refusé par de nombreux éditeurs, son <a href="Manuscrit" title="Manuscrit">manuscrit</a> a probablement été détruit ou tout du moins perdu<a href="#cite_note-:0-1">[1]</a>.

En <a href="1891_en_litt%C3%A9rature" title="1891 en littérature">1891</a>, Kate Chopin écrit 16 nouvelles et historiettes, une pièce de théâtre, un essai et quelques traductions d'œuvres <a href="Litt%C3%A9rature_fran%C3%A7aise" title="Littérature française">littéraires françaises</a>. Si ses nouvelles et historiettes sont publiées dans la presse locale, elle aimerait que ses œuvres soient publiées dans des revues, magazines à dimension nationale , notamment par la presse de la <a href="C%C3%B4te_est_des_%C3%89tats-Unis" title="Côte est des États-Unis">côte est</a><a href="#cite_note-:0-1">[1]</a>.

Ses nouvelles reflètent son admiration pour les auteurs <a href="R%C3%A9alisme_(litt%C3%A9rature)" title="Réalisme (littérature)">réalistes</a> français tels qu'<a href="Alphonse_Daudet" title="Alphonse Daudet">Alphonse Daudet</a>, <a href="Gustave_Flaubert" title="Gustave Flaubert">Gustave Flaubert</a>, les <a href="Fr%C3%A8res_Goncourt" title="Frères Goncourt">frères Goncourt</a> ( <a href="Edmond_de_Goncourt" title="Edmond de Goncourt">Edmond de Goncourt</a> et <a href="Jules_de_Goncourt" title="Jules de Goncourt">Jules de Goncourt</a>) et par dessus tout Guy de Maupassant<a href="#cite_note-:1-2">[2]</a>.

<div class="mw-heading mw-heading4"><h4 id="La_percée">La percée</h4></div>

Kate Chopin fait son entrée dans la presse nationale, durant l'année <a href="1891_en_litt%C3%A9rature" title="1891 en littérature">1891</a>, où ses <a href="Litt%C3%A9rature_d'enfance_et_de_jeunesse" title="Littérature d'enfance et de jeunesse">historiettes pour enfants</a> sont publiées dans les colonnes du magazine The Youth's Companion <a href="https://en.wikipedia.org/wiki/The_Youth%27s_Companion" class="extiw external" title="en:The Youth's Companion">(en)</a> et du Harper's Young People <a href="https://en.wikipedia.org/wiki/Harper%27s_Young_People" class="extiw external" title="en:Harper's Young People">(en)</a>. Percée confirmée par la publication en <a href="1892_en_litt%C3%A9rature" title="1892 en littérature">1892</a> d'une nouvelle At the Cadian Ball dans les colonnes du magazine Two Tales et en <a href="1893_en_litt%C3%A9rature" title="1893 en littérature">1893</a> par la publication de deux nouvelles A Visit to Avoyelles et <a href="Desiree's_Baby" title="Desiree's Baby">Desiree's Baby</a> par le magazine <a href="Vogue" title="Vogue">Vogue</a><a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

<div class="mw-heading mw-heading4"><h4 id="1894,_l'annus_mirabilis">1894, l'annus mirabilis</h4></div>

L'année <a href="1894_en_litt%C3%A9rature" title="1894 en littérature">1894</a>, peut être qualifiée d'<a href="Annus_mirabilis" title="Annus mirabilis">annus mirabilis</a> pour Kate Chopin. En <time class="nowrap" datetime="1894-01" data-sort-value="1894-01">janvier 1894</time>, sa nouvelle A No-Account Creole est publiée par le prestigieux magazine littéraire <a href="The_Century_Magazine" title="The Century Magazine">The Century Magazine</a>, En <time class="nowrap" datetime="1894-09" data-sort-value="1894-09">septembre 1894</time>, c'est au tour du magazine littéraire <a href="The_Atlantic" title="The Atlantic">The Atlantic Monthly</a> de publier une de ses nouvelles, et en <time class="nowrap" datetime="1894-12" data-sort-value="1894-12">décembre 1894</time> The Century publie à nouveau une de ses nouvelles. Mais l’événement le plus important pour Kate Chopin est la publication en <time class="nowrap" datetime="1894-03" data-sort-value="1894-03">mars 1894</time> de son premier recueil de nouvelles Bayou Folk par la <a href="Maison_d'%C3%A9dition" title="Maison d'édition">maison d'édition</a> <a href="Houghton_Mifflin_Harcourt" title="Houghton Mifflin Harcourt">Houghton, Mifflin and Company</a>. Cette publication sort Kate Chopin d'un relatif <a href="Anonymat" title="Anonymat">anonymat</a> pour la mettre sur le devant de la scène littéraire américaine et plus particulièrement à Saint Louis<a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

Dans ses diverses publications, Kate Chopin utilise des sources créoles ou <a href="Acadiens" title="Acadiens">acadiennes</a> et montre son habileté à dresser des portraits de personnages typiques et de son maniement des dialectes créoles et acadiens<a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

<div class="mw-heading mw-heading4"><h4 id="L'animatrice_d'un_salon_littéraire">L'animatrice d'un salon littéraire</h4></div>

Durant les <a href="Ann%C3%A9es_1890" title="Années 1890">années 1890</a>, Kate Chopin anime tous les mercredis un <a href="Salon_litt%C3%A9raire" title="Salon littéraire">salon littéraire</a> chez elle, à la Morgan Street. Ce salon est vite réputé comme étant le lieu de l'<a href="Avant-garde_(art)" title="Avant-garde (art)">avant-garde</a> littéraire, musicale, culturelle<a href="#cite_note-:0-1">[1]</a>.

<div class="mw-heading mw-heading4"><h4 id="Nouvelle_orientation_littéraire">Nouvelle orientation littéraire</h4></div>

Après s'être inspirée du <a href="R%C3%A9alisme_(litt%C3%A9rature)" title="Réalisme (littérature)">réalisme</a> raffiné de <a href="William_Dean_Howells" title="William Dean Howells">William Dean Howells</a>, Kate Chopin se tourne vers les audaces stylistiques du réalisme de <a href="Guy_de_Maupassant" title="Guy de Maupassant">Guy de Maupassant</a><a href="#cite_note-:0-1">[1]</a>, après avoir traduit plusieurs œuvres de ses à partir de <a href="1894_en_litt%C3%A9rature" title="1894 en littérature">1894</a><a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

En <time class="nowrap" datetime="1897-11" data-sort-value="1897-11">novembre 1897</time>, elle publie un second recueil de nouvelles sous le titre de A Night in Acadie aux éditions Way and Williams Publishers <a href="https://en.wikipedia.org/wiki/Way_and_Williams_Publishers" class="extiw external" title="en:Way and Williams Publishers">(en)</a>. Ce recueil de nouvelles au style <a href="R%C3%A9alisme_(litt%C3%A9rature)" title="Réalisme (littérature)">réaliste</a> <a href="%C3%89tats-Unis" title="États-Unis">américain</a> est également empreint du style du <a href="R%C3%A9gionalisme_(litt%C3%A9rature)" title="Régionalisme (littérature)">régionalisme</a>, dit « couleur locale ». Ses héroïnes se démarquent par leur liberté défiant les convenances de leur temps<a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

<div class="mw-heading mw-heading4"><h4 id="The_Awakening">The Awakening</h4></div>

Après l'édition de A Night in Acadie, Kate Chopin commence à rédiger un nouveau roman, dans un premier temps, elle donne le titre de A Solitary Soul, finalement il sortira en <a href="1899_en_litt%C3%A9rature" title="1899 en littérature">1899</a> aux éditions Way and Williams sous le titre de <a href="L'%C3%89veil_(Kate_Chopin)" title="L'Éveil (Kate Chopin)">The Awakening</a> (L'Éveil). Entre-temps, en <a href="1898_en_litt%C3%A9rature" title="1898 en littérature">1898</a>, Kate Chopin publie une nouvelle The Storm, récit audacieux traitant d'une passion sexuelle<a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

The Awakening est un roman dont l'action se situe à <a href="Grand_Isle_(Louisiane)" title="Grand Isle (Louisiane)">Grand Isle</a> et à <a href="La_Nouvelle-Orl%C3%A9ans" title="La Nouvelle-Orléans">La Nouvelle Orléans</a>, l'héroïne Edna Pontellier, une femme de la bonne société, mère de deux enfants, cherche à se libérer des contraintes des rôles sociaux imposés aux femmes. Le roman narre les passions sensuelles d'Edna Pontellier, puis ses passions amoureuses extra-conjugales<a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

Malgré des premières recensions positives, le roman est décrit par la suite, comme violent, caustique, impudique, contraire à la <a href="Moralit%C3%A9_victorienne" title="Moralité victorienne">moralité victorienne</a> tout en saluant les qualités littéraires de Kate Chopin et en se posant la question pourquoi avoir choisi de traiter un tel thème ? Le St. Louis Globe-Democrat <a href="https://en.wikipedia.org/wiki/St._Louis_Globe-Democrat" class="extiw external" title="en:St. Louis Globe-Democrat">(en)</a> qualifie le roman de « malsain et de morbide », le <a href="The_Providence_Journal" title="The Providence Journal">The Providence Journal</a> qualifie le roman d'« ordure pailletée d'or ». Certains libraires de Saint Louis se refusent à vendre ce roman<a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

Kate Chopin, découragée par l’accueil de son roman, se contente d’écrire des nouvelles. En <a href="1900_en_litt%C3%A9rature" title="1900 en littérature">1900</a>, elle écrit ainsi The Gentleman from New Orleans et son nom apparaît la même année dans la première édition du Marquis Who's Who <a href="https://en.wikipedia.org/wiki/Marquis_Who%27s_Who" class="extiw external" title="en:Marquis Who's Who">(en)</a>. Malgré le succès de ses nouvelles, elle n’a jamais pu vivre de son art, tirant ses revenus de rentes d’investissements faits en Louisiane et à Saint-Louis<a href="#cite_note-:0-1">[1]</a>.

<div class="mw-heading mw-heading3"><h3 id="Kate_Chopin_et_le_féminisme_?">Kate Chopin et le féminisme ?</h3></div>

Kate Chopin est née deux années après la <a href="Convention_de_Seneca_Falls" title="Convention de Seneca Falls">Convention de Seneca Falls</a> qui appelle à l'égalité des droits civiques pour les femmes et pour leur <a href="Droit_de_vote_des_femmes_aux_%C3%89tats-Unis" title="Droit de vote des femmes aux États-Unis">droit de vote</a>, cela dit, elle n'a jamais été une militante pour le droit des femmes, ni même un soutien pour le féminisme. C'est plutôt par sa vie en tant que femme indépendante, artiste libre qu'elle devient une source d'inspiration pour les femmes<a href="#cite_note-:3-3">[3]</a>.

<div class="mw-heading mw-heading3"><h3 id="Vie_privée">Vie privée</h3></div>

À partir de <a href="1902_aux_%C3%89tats-Unis" title="1902 aux États-Unis">1902</a>, Kate Chopin connait des difficultés financières et est attristée par la disparition de plusieurs amis et membres de sa famille. Elle-même tombe malade en <a href="1903_aux_%C3%89tats-Unis" title="1903 aux États-Unis">1903</a>, atteinte d'<a href="Emphys%C3%A8me_pulmonaire" title="Emphysème pulmonaire">emphysème</a> ou du <a href="Diab%C3%A8te_sucr%C3%A9" title="Diabète sucré">diabète</a><a href="#cite_note-:0-1">[1]</a>.

Kate Chopin meurt en <a href="1904_aux_%C3%89tats-Unis" title="1904 aux États-Unis">1904</a> à l'âge de 54 ans des suites d'une <a href="H%C3%A9morragie_c%C3%A9r%C3%A9brale" title="Hémorragie cérébrale">hémorragie cérébrale</a>. Elle est inhumée au Calvary Cemetery (St. Louis) <a href="https://en.wikipedia.org/wiki/Calvary_Cemetery_(St._Louis)" class="extiw external" title="en:Calvary Cemetery (St. Louis)">(en)</a><a href="#cite_note-:0-1">[1]</a>,<a href="#cite_note-:1-2">[2]</a>.

<div class="mw-heading mw-heading2"><h2 id="Hommages">Hommages</h2></div>

Le roman The Awakening est aujourd'hui reconnu comme un roman précurseur des œuvres <a href="F%C3%A9minisme" title="Féminisme">féministes</a> du <abbr class="abbr" title="20ᵉ siècle">XXe</abbr> siècle<a href="#cite_note-:0-1">[1]</a>.

En <a href="1990_aux_%C3%89tats-Unis" title="1990 aux États-Unis">1990</a>, Kate Chopin est récompensée par une étoile dédiée sur le St. Louis Walk of Fame <a href="https://en.wikipedia.org/wiki/St._Louis_Walk_of_Fame" class="extiw external" title="en:St. Louis Walk of Fame">(en)</a>.

<div class="mw-heading mw-heading2"><h2 id="Œuvres">Œuvres</h2></div>

Les œuvres de Kate Chopin ont connu de multiples rééditions, la liste de ses œuvres accessibles en ligne a privilégié quand cela est possible l'édition originale, sinon l'édition la plus récente.

<div class="mw-heading mw-heading3"><h3 id="Recueils_de_nouvelles">Recueils de nouvelles</h3></div>

<ul><li>Janet Beer (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique">A Shameful Affair and Other Stories</cite>, Londres, Phoenix, <abbr class="abbr" title="collection">coll.</abbr> « Phoenix Short Stories » (<abbr class="abbr" title="réimpression">réimpr.</abbr> 1998) (<abbr class="abbr" title="première">1re</abbr> <abbr class="abbr" title="édition">éd.</abbr> 1891), 258 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780753805244, <a href="Online_Computer_Library_Center" title="Online Computer Library Center">OCLC</a> <a rel="nofollow" class="external text" href="https://worldcat.org/fr/title/1412547289">1412547289</a>, <a rel="nofollow" class="external text" href="https://archive.org/details/shamefulaffairot0000chop">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+Shameful+Affair+and+Other+Stories&rft.place=Londres&rft.pub=Phoenix&rft.aulast=Beer&rft.aufirst=Janet&rft.tpages=258&rft.isbn=9780753805244&rft_id=info%3Aoclcnum%2F1412547289&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><cite class="italique"><a href="Desiree's_Baby" title="Desiree's Baby">Desiree's Baby</a></cite>, <abbr class="abbr" title="collection">coll.</abbr> « Kate Chopin Masterpiece Collection » (<abbr class="abbr" title="réimpression">réimpr.</abbr> 1993, 2014,) (<abbr class="abbr" title="première">1re</abbr> <abbr class="abbr" title="édition">éd.</abbr> 1893), 28 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9781497545106)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Desiree%27s+Baby&rft.tpages=28&rft.isbn=9781497545106&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><cite class="italique">Bayou Folk</cite>, Boston & New York, <a href="Houghton_Mifflin_Harcourt" title="Houghton Mifflin Harcourt">Houghton, Mifflin and Company</a> (<abbr class="abbr" title="première">1re</abbr> <abbr class="abbr" title="édition">éd.</abbr> 1894), 332 <abbr class="abbr" title="pages">p.</abbr> (<a href="Num%C3%A9ro_de_contr%C3%B4le_de_la_Biblioth%C3%A8que_du_Congr%C3%A8s" title="Numéro de contrôle de la Bibliothèque du Congrès">LCCN</a> <a rel="nofollow" class="external text" href="https://lccn.loc.gov/04015082">04015082</a>, <a rel="nofollow" class="external text" href="https://archive.org/details/bayoufolk00chop">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Bayou+Folk&rft.place=Boston+%26+New+York&rft.pub=Houghton%2C+Mifflin+and+Company&rft.tpages=332&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><cite class="italique">The Story of an Hour</cite>, Perfection Learning (<abbr class="abbr" title="réimpression">réimpr.</abbr> 2001) (<abbr class="abbr" title="première">1re</abbr> <abbr class="abbr" title="édition">éd.</abbr> 1894), 32 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780789154798)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Story+of+an+Hour&rft.pub=Perfection+Learning&rft.tpages=32&rft.isbn=9780789154798&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><cite class="italique">The Kiss and Other Stories</cite>, Londres, <a href="Penguin_Books" title="Penguin Books">Penguin Books</a> (<abbr class="abbr" title="réimpression">réimpr.</abbr> 1995) (<abbr class="abbr" title="première">1re</abbr> <abbr class="abbr" title="édition">éd.</abbr> 1897), 68 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780146002014, <a rel="nofollow" class="external text" href="https://archive.org/details/kissotherstories00chop">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Kiss+and+Other+Stories&rft.place=Londres&rft.pub=Penguin+Books&rft.tpages=68&rft.isbn=9780146002014&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><cite class="italique">A Night In Acadie</cite>, Chicago, Illinois, Way & Williams (<abbr class="abbr" title="réimpression">réimpr.</abbr> 2002, 2004, 2020) (<abbr class="abbr" title="première">1re</abbr> <abbr class="abbr" title="édition">éd.</abbr> 1987), 431 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9781419102608, <a href="Online_Computer_Library_Center" title="Online Computer Library Center">OCLC</a> <a rel="nofollow" class="external text" href="https://worldcat.org/fr/title/2413641">2413641</a>, <a rel="nofollow" class="external text" href="https://archive.org/details/anightinacadie00chopgoog/page/n6/mode/2up">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+Night+In+Acadie&rft.place=Chicago%2C+Illinois&rft.pub=Way+%26+Williams&rft.tpages=431&rft.isbn=9781419102608&rft_id=info%3Aoclcnum%2F2413641&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li></ul>

<div class="mw-heading mw-heading4"><h4 id="Éditions_et_compilations_posthumes">Éditions et compilations posthumes</h4></div>

<ul><li>Per Seyersted (<abbr class="abbr" title="directeur de publication">dir.</abbr>) (<abbr class="abbr" title="préface">préf.</abbr> Per Seyersted), <cite class="italique">The Storm and other stories</cite>, Old Westbury, New York, The Feminist Press, <abbr class="abbr" title="collection">coll.</abbr> « Feminist Press reprint » (<abbr class="abbr" title="numéro">no</abbr> 5) (<abbr class="abbr" title="réimpression">réimpr.</abbr> 2015) (<abbr class="abbr" title="première">1re</abbr> <abbr class="abbr" title="édition">éd.</abbr> 1974), 404 <abbr class="abbr" title="pages">p.</abbr> (<a href="Online_Computer_Library_Center" title="Online Computer Library Center">OCLC</a> <a rel="nofollow" class="external text" href="https://worldcat.org/fr/title/3104145">3104145</a>, <a rel="nofollow" class="external text" href="https://archive.org/details/stormotherstorie00chop">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Storm+and+other+stories&rft.place=Old+Westbury%2C+New+York&rft.pub=The+Feminist+Press&rft.aulast=Seyersted&rft.aufirst=Per&rft.tpages=404&rft_id=info%3Aoclcnum%2F3104145&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Helen Taylor (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique">Portraits : Short stories</cite>, Londres, Women's Press (<abbr class="abbr" title="réimpression">réimpr.</abbr> 1982, 1988) (<abbr class="abbr" title="première">1re</abbr> <abbr class="abbr" title="édition">éd.</abbr> 1979), 244 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780704328273, <a href="Online_Computer_Library_Center" title="Online Computer Library Center">OCLC</a> <a rel="nofollow" class="external text" href="https://worldcat.org/fr/title/561842352">561842352</a>, <a rel="nofollow" class="external text" href="https://archive.org/details/portraitsshortst0000chop">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Portraits&rft.place=Londres&rft.pub=Women%27s+Press&rft.stitle=Short+stories&rft.aulast=Taylor&rft.aufirst=Helen&rft.tpages=244&rft.isbn=9780704328273&rft_id=info%3Aoclcnum%2F561842352&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Emily Toth (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique">A Vocation and a Voice : Stories</cite>, New York, Penguin Books, <time>1991</time>, 244 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780140390780, <a rel="nofollow" class="external text" href="https://archive.org/details/vocationandvoice00chop">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+Vocation+and+a+Voice&rft.place=New+York&rft.pub=Penguin+Books&rft.stitle=Stories&rft.aulast=Toth&rft.aufirst=Emily&rft.date=1991&rft.tpages=244&rft.isbn=9780140390780&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Joslyn T. Pine, <cite class="italique">Lilacs and Other Stories</cite>, Mineola, état de New York, Dover Publications, <abbr class="abbr" title="collection">coll.</abbr> « Dover Thrift Editions » (<abbr class="abbr" title="réimpression">réimpr.</abbr> 2011, 2014) (<abbr class="abbr" title="première">1re</abbr> <abbr class="abbr" title="édition">éd.</abbr> 2005), 228 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780486440958, <a href="Online_Computer_Library_Center" title="Online Computer Library Center">OCLC</a> <a rel="nofollow" class="external text" href="https://worldcat.org/fr/title/868274608">868274608</a>, <a rel="nofollow" class="external text" href="https://archive.org/details/lilacsotherstori0000chop">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Lilacs+and+Other+Stories&rft.place=Mineola%2C+%C3%A9tat+de+New+York&rft.pub=Dover+Publications&rft.aulast=Pine&rft.aufirst=Joslyn+T.&rft.tpages=228&rft.isbn=9780486440958&rft_id=info%3Aoclcnum%2F868274608&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><cite class="italique">A Collection of Kate Chopin's Short Stories</cite>, Louisiane, First Rate Publishers (<abbr class="abbr" title="réimpression">réimpr.</abbr> 2014, 2019) (<abbr class="abbr" title="première">1re</abbr> <abbr class="abbr" title="édition">éd.</abbr> 1988), 48 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9781500205089, <a href="Online_Computer_Library_Center" title="Online Computer Library Center">OCLC</a> <a rel="nofollow" class="external text" href="https://worldcat.org/fr/title/1301795327">1301795327</a>, <a rel="nofollow" class="external text" href="https://archive.org/details/collectionofkate0000chop">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+Collection+of+Kate+Chopin%27s+Short+Stories&rft.place=Louisiane&rft.pub=First+Rate+Publishers&rft.tpages=48&rft.isbn=9781500205089&rft_id=info%3Aoclcnum%2F1301795327&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Candace Ward (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique">A Pair of Silk Stockings</cite>, Mineola, état de New York, Dover Publications, <abbr class="abbr" title="collection">coll.</abbr> « Dover Thrift Editions » (<abbr class="abbr" title="réimpression">réimpr.</abbr> 2014) (<abbr class="abbr" title="première">1re</abbr> <abbr class="abbr" title="édition">éd.</abbr> 1996), 68 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9781306334655, <a href="Online_Computer_Library_Center" title="Online Computer Library Center">OCLC</a> <a rel="nofollow" class="external text" href="https://worldcat.org/fr/title/868276500">868276500</a>, <a rel="nofollow" class="external text" href="https://archive.org/details/pairofsilkstocki00chop">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+Pair+of+Silk+Stockings&rft.place=Mineola%2C+%C3%A9tat+de+New+York&rft.pub=Dover+Publications&rft.aulast=Ward&rft.aufirst=Candace&rft.tpages=68&rft.isbn=9781306334655&rft_id=info%3Aoclcnum%2F868276500&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li></ul>

<div class="mw-heading mw-heading3"><h3 id="Romans">Romans</h3></div>

<ul><li><cite class="italique">At Fault : a Novel</cite> (<abbr class="abbr" title="réimpression">réimpr.</abbr> 1984, 1986, 1994, 2001, 2002, 2007, 2016) (<abbr class="abbr" title="première">1re</abbr> <abbr class="abbr" title="édition">éd.</abbr> 1890) (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780961428518, <a href="Online_Computer_Library_Center" title="Online Computer Library Center">OCLC</a> <a rel="nofollow" class="external text" href="https://worldcat.org/fr/title/1420631">1420631</a>, <a rel="nofollow" class="external text" href="https://archive.org/details/atfaultnovel0000chop">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=At+Fault&rft.stitle=a+Novel&rft.isbn=9780961428518&rft_id=info%3Aoclcnum%2F1420631&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><cite class="italique">The Awakening</cite>, Blacksburg, Virginie, Wilder Publications (<abbr class="abbr" title="réimpression">réimpr.</abbr> 1994, 1996, 2000, 2011, 2014, 2016) (<abbr class="abbr" title="première">1re</abbr> <abbr class="abbr" title="édition">éd.</abbr> 1899) (<a rel="nofollow" class="external text" href="https://archive.org/details/awakening0000chop_g2b5">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Awakening&rft.place=Blacksburg%2C+Virginie&rft.pub=Wilder+Publications&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin"></li></ul>

<div class="mw-heading mw-heading3"><h3 id="Œuvres_complètes">Œuvres complètes</h3></div>

<ul><li>Sandra M. Gilbert (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique">Complete Novels and Stories</cite>, New York, Library of America, <time class="nowrap" datetime="2002-09-30" data-sort-value="2002-09-30">30 septembre 2002</time>, 1096 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9781931082211, <a rel="nofollow" class="external text" href="https://archive.org/details/completenovelsst0000chop">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Complete+Novels+and+Stories&rft.place=New+York&rft.pub=Library+of+America&rft.aulast=Sandra+M.+Gilbert&rft.date=2002-09-30&rft.tpages=1096&rft.isbn=9781931082211&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li></ul>

<div class="mw-heading mw-heading3"><h3 id="Traductions_francophones">Traductions francophones</h3></div>

<ul><li><cite class="italique">L'Eveil</cite> [« The Awakening »] (<abbr class="abbr" title="traduction">trad.</abbr> Michelle Herpe-Volinsky, <abbr class="abbr" title="préface">préf.</abbr> Jean Bardot), Liana Levi, <time class="nowrap" datetime="1990-04-01" data-sort-value="1990-04-01"><abbr class="abbr" title="premier">1er</abbr> avril 1990</time>, 219 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9782867460579)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=L%27Eveil&rft.pub=Liana+Levi&rft.date=1990-04-01&rft.tpages=219&rft.isbn=9782867460579&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">. <a href="L'%C3%89veil_(Kate_Chopin)" title="L'Éveil (Kate Chopin)">L'Éveil</a> a aussi été édité en 1952 par le club bibliophile de France avec pour titre Edna</li>

<li><cite class="italique">La cigarette égyptienne</cite> [« A Vocation and a Voice: Stories »] (<abbr class="abbr" title="traduction">trad.</abbr> Marie-Claude Peugeot), Paris, Anatolia Editions, 10-18 (<abbr class="abbr" title="réimpression">réimpr.</abbr> 1999) (<abbr class="abbr" title="première">1re</abbr> <abbr class="abbr" title="édition">éd.</abbr> 1995), 233 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9782264022486)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=La+cigarette+%C3%A9gyptienne&rft.place=Paris&rft.pub=Anatolia+Editions%2C+10-18&rft.tpages=233&rft.isbn=9782264022486&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><cite class="italique">Une nuit en Acadie</cite> [« A Night In Acadie »] [« Une nuit en Acadie »] (<abbr class="abbr" title="traduction">trad.</abbr> Marie-Claude Peugeot, <abbr class="abbr" title="préface">préf.</abbr> Nancy Huston), Editions des Syrtes, <time class="nowrap" datetime="2002-05-05" data-sort-value="2002-05-05">5 mai 2002</time>, 152 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9782845450592)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Une+nuit+en+Acadie&rft.pub=Editions+des+Syrtes&rft.date=2002-05-05&rft.tpages=152&rft.isbn=9782845450592&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><cite class="italique">Sous le ciel de l'été : poèmes</cite> (<abbr class="abbr" title="traduction">trad.</abbr> Gérard Gâcon), Saint-Étienne, Publications de l'Université de Saint-Étienne, <abbr class="abbr" title="collection">coll.</abbr> « Les translatives », <time>2009</time>, 106 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9782862725086)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Sous+le+ciel+de+l%27%C3%A9t%C3%A9&rft.place=Saint-%C3%89tienne&rft.pub=Publications+de+l%27Universit%C3%A9+de+Saint-%C3%89tienne&rft.stitle=po%C3%A8mes&rft.date=2009&rft.tpages=106&rft.isbn=9782862725086&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><cite class="italique">Le sorcier de Gettysburg</cite> [« Bayou Folk »] (<abbr class="abbr" title="traduction">trad.</abbr> Marie-Anne de Kisch), Paris, Éd. Interférences, <time>2011</time>, 173 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9782909589220)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Le+sorcier+de+Gettysburg&rft.place=Paris&rft.pub=%C3%89d.+Interf%C3%A9rences&rft.date=2011&rft.tpages=173&rft.isbn=9782909589220&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li></ul>

<div class="mw-heading mw-heading2"><h2 id="Regards_sur_son_œuvre">Regards sur son œuvre</h2></div>

<div class="mw-heading mw-heading2"><h2 id="Notes_et_références">Notes et références</h2></div>

<div class="mw-heading mw-heading3"><h3 id="Notes">Notes</h3></div>

<li id="cite_note-note_1-5"><a href="#cite_ref-note_1_5-0">↑</a> <a href="#CPI_Inflation_Calculator">Soit l'équivalent de la somme de 365 000 $ en 2024</a>  [<a rel="nofollow" class="external text" href="https://www.officialdata.org/us/inflation/1883?amount=12000">lire en ligne</a>]

</li>

</ol></div>

</div>

<div class="mw-heading mw-heading3"><h3 id="Références">Références</h3></div>

<li id="cite_note-:0-1"><abbr class="abbr indicateur-langue" title="Langue : anglais américain">(en-US)</abbr> John A. Garraty (<abbr class="abbr" title="directeur de publication">dir.</abbr>) et Mark C. Carnes, <cite class="italique" lang="en-us">American National Biography</cite>, <abbr class="abbr" title="volume">vol.</abbr> 4 : Burnett - Clarke, Lewis, New York, Oxford University Press, USA, <time>1999</time>, 980 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780195127836, <a rel="nofollow" class="external text" href="https://archive.org/details/americannational04garr/page/836/mode/2up">lire en ligne</a>), <abbr class="abbr" title="pages">p.</abbr> 836-838<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=American+National+Biography&rft.place=New+York&rft.pub=Oxford+University+Press%2C+USA&rft.aulast=Garraty&rft.aufirst=John+A.&rft.au=Mark+C.+Carnes&rft.date=1999&rft.volume=4&rft.pages=836-838&rft.tpages=980&rft.isbn=9780195127836&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">

</li>

<li id="cite_note-:1-2"><abbr class="abbr indicateur-langue" title="Langue : anglais américain">(en-US)</abbr> Paul Wilson Boyer (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique" lang="en-us">Notable American Women : A Biographical Dictionary,</cite>, <abbr class="abbr" title="volume">vol.</abbr> 1 : 1607-1950, A-F, Cambridge, Massachusetts, Belknap Press of Harvard University Press, <time>1971</time>, 687 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780674288362, <a rel="nofollow" class="external text" href="https://archive.org/details/notableamericanw01jame/page/333/mode/1up">lire en ligne</a>), <abbr class="abbr" title="pages">p.</abbr> 333-335<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Notable+American+Women&rft.place=Cambridge%2C+Massachusetts&rft.pub=Belknap+Press+of+Harvard+University+Press&rft.stitle=A+Biographical+Dictionary%2C&rft.au=Paul+Wilson+Boyer&rft.date=1971&rft.volume=1&rft.pages=333-335&rft.tpages=687&rft.isbn=9780674288362&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">

</li>

<li id="cite_note-:3-3"><abbr class="abbr indicateur-langue" title="Langue : anglais américain">(en-US)</abbr> Anne Commire (<abbr class="abbr" title="directeur de publication">dir.</abbr>) et Deborah Klezmer (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique" lang="en-us">Women in World History : A Biographical Encyclopedia</cite>, <abbr class="abbr" title="volume">vol.</abbr> 3 : Brem-Cold, Waterford, Connecticut, Gale Group ; Yorkin Publications,, <time>1999</time>, 903 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780787640620, <a rel="nofollow" class="external text" href="https://archive.org/details/womeninworldhist03comm/page/698/mode/1up">lire en ligne</a>), <abbr class="abbr" title="pages">p.</abbr> 698-702<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Women+in+World+History&rft.place=Waterford%2C+Connecticut&rft.pub=Gale+Group+%3B+Yorkin+Publications%2C&rft.stitle=A+Biographical+Encyclopedia&rft.aulast=Commire&rft.aufirst=Anne&rft.au=Deborah+Klezmer&rft.date=1999&rft.volume=3&rft.pages=698-702&rft.tpages=903&rft.isbn=9780787640620&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">

</li>

<li id="cite_note-:2-4">Emily Toth, <cite class="italique">Kate Chopin : A Life of the Author of The Awakening</cite>, New York, William Morrow & Company, <time>1990</time>, 528 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780688097073, <a rel="nofollow" class="external text" href="https://archive.org/details/katechopin00toth/page/23/mode/1up">lire en ligne</a>), <abbr class="abbr" title="pages">p.</abbr> 23-33<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Kate+Chopin&rft.place=New+York&rft.pub=William+Morrow+%26+Company&rft.stitle=A+Life+of+the+Author+of+The+Awakening&rft.aulast=Toth&rft.aufirst=Emily&rft.date=1990&rft.pages=23-33&rft.tpages=528&rft.isbn=9780688097073&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">

</li>

</ol></div>

</div>

<div class="mw-heading mw-heading2"><h2 id="Pour_approfondir">Pour approfondir</h2></div>

<div class="mw-heading mw-heading3"><h3 id="Bibliographie">Bibliographie</h3></div>

: document utilisé comme source pour la rédaction de cet article.

<div class="mw-heading mw-heading4"><h4 id="Notices_dans_des_encyclopédies_et_manuels_de_référence">Notices dans des encyclopédies et manuels de référence</h4></div>

<ul><li><abbr class="abbr indicateur-langue" title="Langue : anglais américain">(en-US)</abbr> Paul Wilson Boyer (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique" lang="en-us">Notable American Women : A Biographical Dictionary</cite>, <abbr class="abbr" title="volume">vol.</abbr> 1 : 1607-1950, A-F, Cambridge, Massachusetts, Belknap Press of Harvard University Press., <time>1971</time>, 687 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780674288362, <a rel="nofollow" class="external text" href="https://archive.org/details/notableamericanw01jame/page/333/mode/1up">lire en ligne</a>), <abbr class="abbr" title="pages">p.</abbr> 333-335<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Notable+American+Women&rft.place=Cambridge%2C+Massachusetts&rft.pub=Belknap+Press+of+Harvard+University+Press.&rft.stitle=A+Biographical+Dictionary&rft.au=Paul+Wilson+Boyer&rft.date=1971&rft.volume=1&rft.pages=333-335&rft.tpages=687&rft.isbn=9780674288362&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">. ,</li>

<li><abbr class="abbr indicateur-langue" title="Langue : anglais américain">(en-US)</abbr> Lina Mainiero (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique" lang="en-us">American Women Writers : A Critical Reference Guide From Colonial Times To The Present</cite>, <abbr class="abbr" title="volume">vol.</abbr> 1 : A-E, New York, Frederick Ungar, <time>1979</time>, 609 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780804431514, <a rel="nofollow" class="external text" href="https://archive.org/details/americanwomenwri01main/page/358/mode/2up">lire en ligne</a>), <abbr class="abbr" title="pages">p.</abbr> 358-360<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=American+Women+Writers&rft.place=New+York&rft.pub=Frederick+Ungar&rft.stitle=A+Critical+Reference+Guide+From+Colonial+Times+To+The+Present&rft.aulast=Mainiero&rft.aufirst=Lina&rft.date=1979&rft.volume=1+%3A+A-E&rft.pages=358-360&rft.tpages=609&rft.isbn=9780804431514&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><abbr class="abbr indicateur-langue" title="Langue : anglais américain">(en-US)</abbr> Richard Layman et Matthew J. Bruccoli, <cite class="italique" lang="en-us">Realism, Naturalism, and Local Color, 1865-1917</cite>, Detroit, Michigan, Gale Research Co., <time>1988</time>, 399 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780810318212, <a rel="nofollow" class="external text" href="https://archive.org/details/realismnaturalis0000unse/page/52/mode/2up">lire en ligne</a>), <abbr class="abbr" title="pages">p.</abbr> 52-63<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Realism%2C+Naturalism%2C+and+Local+Color%2C+1865-1917&rft.place=Detroit%2C+Michigan&rft.pub=Gale+Research+Co.&rft.aulast=Layman&rft.aufirst=Richard&rft.au=Matthew+J.+Bruccoli&rft.date=1988&rft.pages=52-63&rft.tpages=399&rft.isbn=9780810318212&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><abbr class="abbr indicateur-langue" title="Langue : anglais américain">(en-US)</abbr> Frank D. McSherry Jr., <cite class="italique" lang="en-us">Civil War Women : the Civil War seen through women's eyes in stories by Louisa May Alcott, Kate Chopin, Eudora Welty, and other great women writers</cite>, New York, Simon & Schuster, <time>1990</time>, 186 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780671702489, <a rel="nofollow" class="external text" href="https://archive.org/details/civilwarwomenciv0000unse/page/66/mode/2up">lire en ligne</a>), <abbr class="abbr" title="pages">p.</abbr> 66-71<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Civil+War+Women&rft.place=New+York&rft.pub=Simon+%26+Schuster&rft.stitle=the+Civil+War+seen+through+women%27s+eyes+in+stories+by+Louisa+May+Alcott%2C+Kate+Chopin%2C+Eudora+Welty%2C+and+other+great+women+writers&rft.aulast=McSherry+Jr.&rft.aufirst=Frank+D.&rft.date=1990&rft.pages=66-71&rft.tpages=186&rft.isbn=9780671702489&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><abbr class="abbr indicateur-langue" title="Langue : anglais américain">(en-US)</abbr> Steven R. Serafin (<abbr class="abbr" title="directeur de publication">dir.</abbr>) et Alfred Bendixen (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique" lang="en-us">Encyclopedia Of American Literature</cite>, New York, Continuum, <time>1999</time>, 1309 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780826410528, <a rel="nofollow" class="external text" href="https://archive.org/details/encyclopediaofam0000unse_a4q3/page/187/mode/1up">lire en ligne</a>), <abbr class="abbr" title="pages">p.</abbr> 187-190<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Encyclopedia+Of+American+Literature&rft.place=New+York&rft.pub=Continuum&rft.aulast=Serafin&rft.aufirst=Steven+R.&rft.au=Alfred+Bendixen&rft.date=1999&rft.pages=187-190&rft.tpages=1309&rft.isbn=9780826410528&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><abbr class="abbr indicateur-langue" title="Langue : anglais américain">(en-US)</abbr> Anne Commire (<abbr class="abbr" title="directeur de publication">dir.</abbr>) et Deborah Klezmer (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique" lang="en-us">Women in World History : A Biographical Encyclopedia</cite>, <abbr class="abbr" title="volume">vol.</abbr> 3 : Brem-Cold, Waterford, Connecticut, Gale Group ; Yorkin Publications, <time>1999</time>, 903 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780787640620, <a rel="nofollow" class="external text" href="https://archive.org/details/womeninworldhist03comm/page/698/mode/2up">lire en ligne</a>), <abbr class="abbr" title="pages">p.</abbr> 698-702<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Women+in+World+History&rft.place=Waterford%2C+Connecticut&rft.pub=Gale+Group+%3B+Yorkin+Publications&rft.stitle=A+Biographical+Encyclopedia&rft.aulast=Commire&rft.aufirst=Anne&rft.au=Deborah+Klezmer&rft.date=1999&rft.volume=3&rft.pages=698-702&rft.tpages=903&rft.isbn=9780787640620&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">. ,</li>

<li><abbr class="abbr indicateur-langue" title="Langue : anglais américain">(en-US)</abbr> John A. Garraty (<abbr class="abbr" title="directeur de publication">dir.</abbr>) et Mark C. Carnes (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique" lang="en-us">American National Biography</cite>, <abbr class="abbr" title="volume">vol.</abbr> 4 : Burnett - Clarke, Lewis, New York, Oxford University Press, USA, <time>1999</time>, 980 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780195127836, <a rel="nofollow" class="external text" href="https://archive.org/details/americannational04garr/page/836/mode/2up">lire en ligne</a>), <abbr class="abbr" title="pages">p.</abbr> 836-838<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=American+National+Biography&rft.place=New+York&rft.pub=Oxford+University+Press%2C+USA&rft.aulast=Garraty&rft.aufirst=John+A.&rft.au=Mark+C.+Carnes&rft.date=1999&rft.volume=4&rft.pages=836-838&rft.tpages=980&rft.isbn=9780195127836&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">. ,</li>

<li><abbr class="abbr indicateur-langue" title="Langue : anglais américain">(en-US)</abbr> Carol Kort, <cite class="italique" lang="en-us">American Women Writers : A Biographical Dictionary</cite>, New York, Checkmark Books, <time>2000</time>, 275 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780816044344, <a rel="nofollow" class="external text" href="https://archive.org/details/americanwomenwri0000kort/page/42/mode/2up">lire en ligne</a>), <abbr class="abbr" title="pages">p.</abbr> 42-45<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=American+Women+Writers&rft.place=New+York&rft.pub=Checkmark+Books&rft.stitle=A+Biographical+Dictionary&rft.aulast=Kort&rft.aufirst=Carol&rft.date=2000&rft.pages=42-45&rft.tpages=275&rft.isbn=9780816044344&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><abbr class="abbr indicateur-langue" title="Langue : anglais américain">(en-US)</abbr> E.C. Applegate, <cite class="italique" lang="en-us">American Naturalistic and Realistic Novelists : A Biographical Dictionary</cite>, Westport, Connecticut, Greenwood Press, <time>2001</time>, 431 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780313315725, <a rel="nofollow" class="external text" href="https://archive.org/details/americannaturali0000appl/page/70/mode/2up">lire en ligne</a>), <abbr class="abbr" title="pages">p.</abbr> 70-71<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=American+Naturalistic+and+Realistic+Novelists&rft.place=Westport%2C+Connecticut&rft.pub=Greenwood+Press&rft.stitle=A+Biographical+Dictionary&rft.aulast=Applegate&rft.aufirst=E.C.&rft.date=2001&rft.pages=70-71&rft.tpages=431&rft.isbn=9780313315725&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><abbr class="abbr indicateur-langue" title="Langue : anglais américain">(en-US)</abbr> Jay Parini (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique" lang="en-us">The Oxford Encyclopedia of American Literature</cite>, <abbr class="abbr" title="volume">vol.</abbr> 1 : Academic Novels - The Essay in America, New York, Oxford University Press, USA, <time>2004</time>, 505 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780195156539, <a rel="nofollow" class="external text" href="https://archive.org/details/oxfordencycloped0001unse_a0u8/page/283/mode/1up">lire en ligne</a>), <abbr class="abbr" title="pages">p.</abbr> 283-286<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Oxford+Encyclopedia+of+American+Literature&rft.place=New+York&rft.pub=Oxford+University+Press%2C+USA&rft.aulast=Parini&rft.aufirst=Jay&rft.date=2004&rft.volume=1+%3A+Academic+Novels+-+The+Essay+in+America&rft.pages=283-286&rft.tpages=505&rft.isbn=9780195156539&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><abbr class="abbr indicateur-langue" title="Langue : anglais américain">(en-US)</abbr> Elizabeth H. Oakes, <cite class="italique" lang="en-us">American Writers</cite>, New York, Facts on File, <time>2004</time>, 433 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780816051588, <a rel="nofollow" class="external text" href="https://archive.org/details/americanwriters0000oake/page/81/mode/1up">lire en ligne</a>), <abbr class="abbr" title="pages">p.</abbr> 81-83<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=American+Writers&rft.place=New+York&rft.pub=Facts+on+File&rft.aulast=Oakes&rft.aufirst=Elizabeth+H.&rft.date=2004&rft.pages=81-83&rft.tpages=433&rft.isbn=9780816051588&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><abbr class="abbr indicateur-langue" title="Langue : anglais américain">(en-US)</abbr> Jessica Bomarito (<abbr class="abbr" title="directeur de publication">dir.</abbr>) et Drew Lamonica (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique" lang="en-us">Feminism in Literature : A Gale Critical Companion</cite>, <abbr class="abbr" title="volume">vol.</abbr> 3 : (C-Z), Detroit, Michigan, Gale Cengage, <time>2005</time>, 585 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9781414405209, <a rel="nofollow" class="external text" href="https://archive.org/details/feminisminlitera0003unse/page/1/mode/1up">lire en ligne</a>), <abbr class="abbr" title="pages">p.</abbr> 1-45<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Feminism+in+Literature&rft.place=Detroit%2C+Michigan&rft.pub=Gale+Cengage&rft.stitle=A+Gale+Critical+Companion&rft.aulast=Bomarito&rft.aufirst=Jessica&rft.au=Drew+Lamonica&rft.date=2005&rft.volume=3&rft.pages=1-45&rft.tpages=585&rft.isbn=9781414405209&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><abbr class="abbr indicateur-langue" title="Langue : anglais américain">(en-US)</abbr> Steven G. Kellman (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique" lang="en-us">Magill's Survey Of American Literature</cite>, <abbr class="abbr" title="volume">vol.</abbr> 1 : Abbey-Chopin, Pasadena, Californie, Salem Press, <time>2006</time>, 469 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9781587652851, <a rel="nofollow" class="external text" href="https://archive.org/details/magillssurveyofa0001unse/page/461/mode/1up">lire en ligne</a>), <abbr class="abbr" title="pages">p.</abbr> 461-465<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Magill%27s+Survey+Of+American+Literature&rft.place=Pasadena%2C+Californie&rft.pub=Salem+Press&rft.aulast=Kellman&rft.aufirst=Steven+G.&rft.date=2006&rft.volume=1+%3A+Abbey-Chopin&rft.pages=461-465&rft.tpages=469&rft.isbn=9781587652851&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li></ul>

<div class="mw-heading mw-heading4"><h4 id="Essais_anglophones">Essais anglophones</h4></div>

<ul><li>Daniel Rankin, <cite class="italique">Kate Chopin and Her Creole Stories</cite>, Philadelphie, University of Pennsylvania Press, <time>1932</time>, 350 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9781512805642, <a rel="nofollow" class="external text" href="https://archive.org/details/katechopinhercre0000unse">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Kate+Chopin+and+Her+Creole+Stories&rft.place=Philadelphie&rft.pub=University+of+Pennsylvania+Press&rft.aulast=Rankin&rft.aufirst=Daniel&rft.date=1932&rft.tpages=350&rft.isbn=9781512805642&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Per Seyersted, <cite class="italique">Kate Chopin : A Critical Biography</cite>, Baton Rouge, Louisiane, Louisiana State University Press, <time>1980</time>, 256 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780807106785, <a rel="nofollow" class="external text" href="https://archive.org/details/katechopin00pers">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Kate+Chopin&rft.place=Baton+Rouge%2C+Louisiane&rft.pub=Louisiana+State+University+Press&rft.stitle=A+Critical+Biography&rft.aulast=Seyersted&rft.aufirst=Per&rft.date=1980&rft.tpages=256&rft.isbn=9780807106785&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Peggy Skaggs, <cite class="italique">Kate Chopin</cite>, Boston, Twayne Publishers, <time>1985</time>, 152 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780805774399, <a rel="nofollow" class="external text" href="https://archive.org/details/katechopin00skag">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Kate+Chopin&rft.place=Boston&rft.pub=Twayne+Publishers&rft.aulast=Skaggs&rft.aufirst=Peggy&rft.date=1985&rft.tpages=152&rft.isbn=9780805774399&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Barbara C. Ewell, <cite class="italique">Kate Chopin</cite>, New York, Frederick Ungar, <time>1986</time>, 240 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780804421904, <a rel="nofollow" class="external text" href="https://archive.org/details/katechopin0000ewel">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Kate+Chopin&rft.place=New+York&rft.pub=Frederick+Ungar&rft.aulast=Ewell&rft.aufirst=Barbara+C.&rft.date=1986&rft.tpages=240&rft.isbn=9780804421904&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Harold Bloom (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique">Kate Chopin</cite>, New York, Chelsea House Publications, <abbr class="abbr" title="collection">coll.</abbr> « Bloom's Modern Critical Views Series », <time>1987</time>, 160 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780877546931, <a rel="nofollow" class="external text" href="https://archive.org/details/katechopinblooms00will">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Kate+Chopin&rft.place=New+York&rft.pub=Chelsea+House+Publications&rft.aulast=Bloom&rft.aufirst=Harold&rft.date=1987&rft.tpages=160&rft.isbn=9780877546931&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Emily Toth, <cite class="italique">Kate Chopin : A Life of the Author of The Awakening</cite>, New York, William Morrow & Company, <time>1990</time>, 542 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780688097073, <a rel="nofollow" class="external text" href="https://archive.org/details/katechopin00toth">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Kate+Chopin&rft.place=New+York&rft.pub=William+Morrow+%26+Company&rft.stitle=A+Life+of+the+Author+of+The+Awakening&rft.aulast=Toth&rft.aufirst=Emily&rft.date=1990&rft.tpages=542&rft.isbn=9780688097073&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">. ,</li>

<li>Lynda S. Boren & Sara DeSaussure Davis (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique">Kate Chopin Reconsidered : Beyond The Bayou</cite>, Baton Rouge, Louisiane, Louisiana State University Press, <time>1992</time>, 272 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780807117217, <a rel="nofollow" class="external text" href="https://archive.org/details/katechopinrecons0000unse">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Kate+Chopin+Reconsidered&rft.place=Baton+Rouge%2C+Louisiane&rft.pub=Louisiana+State+University+Press&rft.stitle=Beyond+The+Bayou&rft.aulast=Boren+%26+Sara+DeSaussure+Davis&rft.aufirst=Lynda+S.&rft.date=1992&rft.tpages=272&rft.isbn=9780807117217&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Alice Hall Petry (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique">Critical Essays on Kate Chopin</cite>, New York, Twayne Publishers, <abbr class="abbr" title="collection">coll.</abbr> « Critical Essays on American Literature Series », <time>1996</time>, 280 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780783800325, <a rel="nofollow" class="external text" href="https://archive.org/details/criticalessayson00petr">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Critical+Essays+on+Kate+Chopin&rft.place=New+York&rft.pub=Twayne+Publishers&rft.au=Alice+Hall+Petry&rft.date=1996&rft.tpages=280&rft.isbn=9780783800325&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Bernard Koloski, <cite class="italique">Studies in Short Fiction Series: Kate Chopin</cite>, New York, Twayne Publishers, <time>1996</time>, 200 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780805708653, <a rel="nofollow" class="external text" href="https://archive.org/details/katechopinstudyo0000kolo">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Studies+in+Short+Fiction+Series%3A+Kate+Chopin&rft.place=New+York&rft.pub=Twayne+Publishers&rft.aulast=Koloski&rft.aufirst=Bernard&rft.date=1996&rft.tpages=200&rft.isbn=9780805708653&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Nancy A. Walker, <cite class="italique">Kate Chopin : A Literary Life</cite>, New York, Palgrave Macmillan, <time>2001</time>, 192 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780333737880, <a rel="nofollow" class="external text" href="https://archive.org/details/katechopinlitera0000walk">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Kate+Chopin&rft.place=New+York&rft.pub=Palgrave+Macmillan&rft.stitle=A+Literary+Life&rft.aulast=Walker&rft.aufirst=Nancy+A.&rft.date=2001&rft.tpages=192&rft.isbn=9780333737880&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Lorraine Nye Eliot, <cite class="italique">The Real Kate Chopin</cite>, Pittsburgh, Pennsylvanie, Dorrance Pub Co, <time>2002</time>, 196 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780805957860, <a rel="nofollow" class="external text" href="https://archive.org/details/realkatechopin0000elio">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Real+Kate+Chopin&rft.place=Pittsburgh%2C+Pennsylvanie&rft.pub=Dorrance+Pub+Co&rft.au=Lorraine+Nye+Eliot&rft.date=2002&rft.tpages=196&rft.isbn=9780805957860&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Bernard Koloski (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique">Awakenings : The Story of the Kate Chopin Revival</cite>, Baton Rouge, Louisiane, Louisiana State University Press (<abbr class="abbr" title="réimpression">réimpr.</abbr> 2012) (<abbr class="abbr" title="première">1re</abbr> <abbr class="abbr" title="édition">éd.</abbr> 2009), 248 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9780807134955, <a href="Online_Computer_Library_Center" title="Online Computer Library Center">OCLC</a> <a rel="nofollow" class="external text" href="https://worldcat.org/fr/title/938894287">938894287</a>, <a rel="nofollow" class="external text" href="https://archive.org/details/isbn_9780807134955/page/n5/mode/2up">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Awakenings&rft.place=Baton+Rouge%2C+Louisiane&rft.pub=Louisiana+State+University+Press&rft.stitle=The+Story+of+the+Kate+Chopin+Revival&rft.aulast=Koloski&rft.aufirst=Bernard&rft.tpages=248&rft.isbn=9780807134955&rft_id=info%3Aoclcnum%2F938894287&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin"></li>

<li>Heather Ostman (<abbr class="abbr" title="directeur de publication">dir.</abbr>) et Kate O’Donoghue (<abbr class="abbr" title="directeur de publication">dir.</abbr>), <cite class="italique">Kate Chopin in Context : New Approaches</cite>, New York, Palgrave Macmillan (<abbr class="abbr" title="réimpression">réimpr.</abbr> 2015, 2017) (<abbr class="abbr" title="première">1re</abbr> <abbr class="abbr" title="édition">éd.</abbr> 2014), 234 <abbr class="abbr" title="pages">p.</abbr> (<a href="International_Standard_Book_Number" title="International Standard Book Number">ISBN</a> 9781137551795, <a href="Online_Computer_Library_Center" title="Online Computer Library Center">OCLC</a> <a rel="nofollow" class="external text" href="https://worldcat.org/fr/title/922951326">922951326</a>, <a rel="nofollow" class="external text" href="https://archive.org/details/isbn_9781137551795">lire en ligne</a>)<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Kate+Chopin+in+Context&rft.place=New+York&rft.pub=Palgrave+Macmillan&rft.stitle=New+Approaches&rft.aulast=Ostman&rft.aufirst=Heather&rft.au=Kate+O%E2%80%99Donoghue&rft.tpages=234&rft.isbn=9781137551795&rft_id=info%3Aoclcnum%2F922951326&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li></ul>

<div class="mw-heading mw-heading4"><h4 id="Articles_anglophones">Articles anglophones</h4></div>

<div class="mw-heading mw-heading5"><h5 id="Années_1960-1979">Années 1960-1979</h5></div>

<ul><li>Marie Fletcher, « <cite style="font-style:normal">The Southern Woman in the Fiction of Kate Chopin</cite> », Louisiana History: The Journal of the Louisiana Historical Association, <abbr class="abbr" title="volume">vol.</abbr> 7, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1966" data-sort-value="1966">printemps 1966</time>, <abbr class="abbr" title="page(s)">p.</abbr> 117-132 (16 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/4230896">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=The+Southern+Woman+in+the+Fiction+of+Kate+Chopin&rft.jtitle=Louisiana+History%3A+The+Journal+of+the+Louisiana+Historical+Association&rft.issue=2&rft.aulast=Fletcher&rft.aufirst=Marie&rft.date=1966&rft.volume=7&rft.pages=117-132+%2816+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Lewis Leary, « <cite style="font-style:normal">Kate Chopin's Other Novel</cite> », The Southern Literary Journal, <abbr class="abbr" title="volume">vol.</abbr> 1, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time class="nowrap" datetime="1968" data-sort-value="1968">automne 1968</time>, <abbr class="abbr" title="page(s)">p.</abbr> 60-74 (15 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/20077362">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%27s+Other+Novel&rft.jtitle=The+Southern+Literary+Journal&rft.issue=1&rft.aulast=Leary&rft.aufirst=Lewis&rft.date=1968&rft.volume=1&rft.pages=60-74+%2815+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>George M. Spangler, « <cite style="font-style:normal">Kate Chopin's "The Awakening": A Partial Dissent</cite> », NOVEL: A Forum on Fiction, <abbr class="abbr" title="volume">vol.</abbr> 3, <abbr class="abbr" title="numéro">no</abbr> 3,‎ <time class="nowrap" datetime="1970" data-sort-value="1970">printemps 1970</time>, <abbr class="abbr" title="page(s)">p.</abbr> 249-255 (7 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/1344917">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%27s+%22The+Awakening%22%3A+A+Partial+Dissent&rft.jtitle=NOVEL%3A+A+Forum+on+Fiction&rft.issue=3&rft.aulast=Spangler&rft.aufirst=George+M.&rft.date=1970&rft.volume=3&rft.pages=249-255+%287+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Per Seyersted, « <cite style="font-style:normal">Kate Chopin (1851-1904)</cite> », American Literary Realism, 1870-1910, <abbr class="abbr" title="volume">vol.</abbr> 3, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1970" data-sort-value="1970">printemps 1970</time>, <abbr class="abbr" title="page(s)">p.</abbr> 153-159 (7 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/27747703">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin+%281851-1904%29&rft.jtitle=American+Literary+Realism%2C+1870-1910&rft.issue=2&rft.aulast=Seyersted&rft.aufirst=Per&rft.date=1970&rft.volume=3&rft.pages=153-159+%287+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Kenneth M. Rosen, « <cite style="font-style:normal">Kate Chopin's "The Awakening": Ambiguity as Art</cite> », Journal of American Studies, <abbr class="abbr" title="volume">vol.</abbr> 5, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1971-08" data-sort-value="1971-08">août 1971</time>, <abbr class="abbr" title="page(s)">p.</abbr> 197-199 (3 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/27670643">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%27s+%22The+Awakening%22%3A+Ambiguity+as+Art&rft.jtitle=Journal+of+American+Studies&rft.issue=2&rft.aulast=Rosen&rft.aufirst=Kenneth+M.&rft.date=1971-08&rft.volume=5&rft.pages=197-199+%283+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin"></li>

<li>Richard H. Potter, « <cite style="font-style:normal">Negroes in the Fiction of Kate Chopin</cite> », Louisiana History: The Journal of the Louisiana Historical Association, <abbr class="abbr" title="volume">vol.</abbr> 12, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time class="nowrap" datetime="1971" data-sort-value="1971">hiver 1971</time>, <abbr class="abbr" title="page(s)">p.</abbr> 41-58 (18 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/4231160">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Negroes+in+the+Fiction+of+Kate+Chopin&rft.jtitle=Louisiana+History%3A+The+Journal+of+the+Louisiana+Historical+Association&rft.issue=1&rft.aulast=Potter&rft.aufirst=Richard+H.&rft.date=1971&rft.volume=12&rft.pages=41-58+%2818+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Donald A. Ringe, « <cite style="font-style:normal">Romantic Imagery in Kate Chopin's The Awakening</cite> », American Literature, <abbr class="abbr" title="volume">vol.</abbr> 43, <abbr class="abbr" title="numéro">no</abbr> 4,‎ <time class="nowrap" datetime="1972-01" data-sort-value="1972-01">janvier 1972</time>, <abbr class="abbr" title="page(s)">p.</abbr> 580-588 (9 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/2924655">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Romantic+Imagery+in+Kate+Chopin%27s+The+Awakening&rft.jtitle=American+Literature&rft.issue=4&rft.aulast=Ringe&rft.aufirst=Donald+A.&rft.date=1972-01&rft.volume=43&rft.pages=580-588+%289+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin"></li>

<li>Robert D. Arner, « <cite style="font-style:normal">Pride and Prejudice: Kate Chopin's "Desiree's Baby"</cite> », The Mississippi Quarterly, <abbr class="abbr" title="volume">vol.</abbr> 25, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1972" data-sort-value="1972">printemps 1972</time>, <abbr class="abbr" title="page(s)">p.</abbr> 131-140 (10 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/26473994">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Pride+and+Prejudice%3A+Kate+Chopin%27s+%22Desiree%27s+Baby%22&rft.jtitle=The+Mississippi+Quarterly&rft.issue=2&rft.aulast=Arner&rft.aufirst=Robert+D.&rft.date=1972&rft.volume=25&rft.pages=131-140+%2810+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li><a href="Cynthia_Griffin_Wolff" title="Cynthia Griffin Wolff">Cynthia Griffin Wolff</a>, « <cite style="font-style:normal">Thanatos and Eros: Kate Chopin's the Awakening</cite> », American Quarterly, <abbr class="abbr" title="volume">vol.</abbr> 25, <abbr class="abbr" title="numéro">no</abbr> 4,‎ <time class="nowrap" datetime="1973-10" data-sort-value="1973-10">octobre 1973</time>, <abbr class="abbr" title="page(s)">p.</abbr> 449-471 (23 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/2711633">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Thanatos+and+Eros%3A+Kate+Chopin%27s+the+Awakening&rft.jtitle=American+Quarterly&rft.issue=4&rft.au=Cynthia+Griffin+Wolff&rft.date=1973-10&rft.volume=25&rft.pages=449-471+%2823+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Thomas Bonner, Jr., « <cite style="font-style:normal">Kate Chopin's European Consciousness</cite> », American Literary Realism, 1870-1910, <abbr class="abbr" title="volume">vol.</abbr> 8, <abbr class="abbr" title="numéro">no</abbr> 3,‎ <time class="nowrap" datetime="1975" data-sort-value="1975">été 1975</time>, <abbr class="abbr" title="page(s)">p.</abbr> 281-284 (4 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/27747978">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%27s+European+Consciousness&rft.jtitle=American+Literary+Realism%2C+1870-1910&rft.issue=3&rft.au=Thomas+Bonner%2C+Jr.&rft.date=1975&rft.volume=8&rft.pages=281-284+%284+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Eliane Jasenas, « <cite style="font-style:normal">The French Influence in Kate Chopin's "The Awakening"</cite> », Nineteenth-Century French Studies, <abbr class="abbr" title="volume">vol.</abbr> 4, <abbr class="abbr" title="numéro">no</abbr> 3,‎ <time class="nowrap" datetime="1976" data-sort-value="1976">printemps 1976</time>, <abbr class="abbr" title="page(s)">p.</abbr> 312-322 (11 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/23536179">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=The+French+Influence+in+Kate+Chopin%27s+%22The+Awakening%22&rft.jtitle=Nineteenth-Century+French+Studies&rft.issue=3&rft.aulast=Jasenas&rft.aufirst=Eliane&rft.date=1976&rft.volume=4&rft.pages=312-322+%2811+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin"></li>

<li>Cynthia Griffin Wolff, « <cite style="font-style:normal">Kate Chopin and the Fiction of Limits: "Désirée's Baby"</cite> », The Southern Literary Journal, <abbr class="abbr" title="volume">vol.</abbr> 10, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1978" data-sort-value="1978">printemps 1978</time>, <abbr class="abbr" title="page(s)">p.</abbr> 123-133 (11 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/20077591">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin+and+the+Fiction+of+Limits%3A+%22D%C3%A9sir%C3%A9e%27s+Baby%22&rft.jtitle=The+Southern+Literary+Journal&rft.issue=2&rft.au=Cynthia+Griffin+Wolff&rft.date=1978&rft.volume=10&rft.pages=123-133+%2811+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Ellen Cantarow, « <cite style="font-style:normal">Sex, Race, and Criticism: Thoughts of a White Feminist on Kate Chopin and Zora Neale Hurston</cite> », The Radical Teacher, <abbr class="abbr" title="numéro">no</abbr> 9,‎ <time class="nowrap" datetime="1978-09" data-sort-value="1978-09">septembre 1978</time>, <abbr class="abbr" title="page(s)">p.</abbr> 30-33 (4 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/20709135">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Sex%2C+Race%2C+and+Criticism%3A+Thoughts+of+a+White+Feminist+on+Kate+Chopin+and+Zora+Neale+Hurston&rft.jtitle=The+Radical+Teacher&rft.issue=9&rft.aulast=Cantarow&rft.aufirst=Ellen&rft.date=1978-09&rft.pages=30-33+%284+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Elmo Howell, « <cite style="font-style:normal">Kate Chopin and the Creole Country</cite> », Louisiana History: The Journal of the Louisiana Historical Association, <abbr class="abbr" title="volume">vol.</abbr> 20, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1979" data-sort-value="1979">printemps 1979</time>, <abbr class="abbr" title="page(s)">p.</abbr> 209-219 (11 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/4231892">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin+and+the+Creole+Country&rft.jtitle=Louisiana+History%3A+The+Journal+of+the+Louisiana+Historical+Association&rft.issue=2&rft.aulast=Howell&rft.aufirst=Elmo&rft.date=1979&rft.volume=20&rft.pages=209-219+%2811+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Peggy Skaggs, « <cite style="font-style:normal">The Boy's Quest in Kate Chopin's "A Vocation and a Voice"</cite> », American Literature, <abbr class="abbr" title="volume">vol.</abbr> 51, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1979-05" data-sort-value="1979-05">mai 1979</time>, <abbr class="abbr" title="page(s)">p.</abbr> 270-276 (7 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/2925589">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=The+Boy%27s+Quest+in+Kate+Chopin%27s+%22A+Vocation+and+a+Voice%22&rft.jtitle=American+Literature&rft.issue=2&rft.aulast=Skaggs&rft.aufirst=Peggy&rft.date=1979-05&rft.volume=51&rft.pages=270-276+%287+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li></ul>

<div class="mw-heading mw-heading5"><h5 id="Années_1980-1989">Années 1980-1989</h5></div>

<ul><li>Patricia Hopkins Lattin, « <cite style="font-style:normal">Kate Chopin's Repeating Characters</cite> », The Mississippi Quarterly, <abbr class="abbr" title="volume">vol.</abbr> 33, <abbr class="abbr" title="numéro">no</abbr> 1,‎ hiver 1979-1980, <abbr class="abbr" title="page(s)">p.</abbr> 19-37 (19 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/26474461">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%27s+Repeating+Characters&rft.jtitle=The+Mississippi+Quarterly&rft.issue=1&rft.au=Patricia+Hopkins+Lattin&rft.date=1979&rft.volume=33&rft.pages=19-37+%2819+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Susan Wolstenholme, « <cite style="font-style:normal">Kate Chopin's Sources for "Mrs. Mobry's Reason"</cite> », American Literature, <abbr class="abbr" title="volume">vol.</abbr> 51, <abbr class="abbr" title="numéro">no</abbr> 4,‎ <time class="nowrap" datetime="1980-01" data-sort-value="1980-01">janvier 1980</time>, <abbr class="abbr" title="page(s)">p.</abbr> 540-543 (4 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/2924956">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%27s+Sources+for+%22Mrs.+Mobry%27s+Reason%22&rft.jtitle=American+Literature&rft.issue=4&rft.aulast=Wolstenholme&rft.aufirst=Susan&rft.date=1980-01&rft.volume=51&rft.pages=540-543+%284+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Joyce Coyne Dyer, « <cite style="font-style:normal">Night Images in the Work of Kate Chopin</cite> », American Literary Realism, 1870-1910, <abbr class="abbr" title="volume">vol.</abbr> 14, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1981" data-sort-value="1981">automne 1981</time>, <abbr class="abbr" title="page(s)">p.</abbr> 216-230 (15 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/27746007">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Night+Images+in+the+Work+of+Kate+Chopin&rft.jtitle=American+Literary+Realism%2C+1870-1910&rft.issue=2&rft.au=Joyce+Coyne+Dyer&rft.date=1981&rft.volume=14&rft.pages=216-230+%2815+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Joyce Dyer, « <cite style="font-style:normal">Gouvernail, Kate Chopin's Sensitive Bachelor</cite> », The Southern Literary Journal, <abbr class="abbr" title="volume">vol.</abbr> 14, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time>1981</time>, <abbr class="abbr" title="page(s)">p.</abbr> 46-55 (10 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/20067777">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Gouvernail%2C+Kate+Chopin%27s+Sensitive+Bachelor&rft.jtitle=The+Southern+Literary+Journal&rft.issue=1&rft.aulast=Dyer&rft.aufirst=Joyce&rft.date=1981&rft.volume=14&rft.pages=46-55+%2810+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Elaine Gardiner, « <cite style="font-style:normal">"Ripe Figgs": Kate Chopin in Miniature</cite> », Modern Fiction Studies, <abbr class="abbr" title="volume">vol.</abbr> 28, <abbr class="abbr" title="numéro">no</abbr> 3,‎ <time class="nowrap" datetime="1982" data-sort-value="1982">automne 1982</time>, <abbr class="abbr" title="page(s)">p.</abbr> 378-382 (5 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/26281225">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=%22Ripe+Figgs%22%3A+Kate+Chopin+in+Miniature&rft.jtitle=Modern+Fiction+Studies&rft.issue=3&rft.aulast=Gardiner&rft.aufirst=Elaine&rft.date=1982&rft.volume=28&rft.pages=378-382+%285+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Sandra M. Gilbert, « <cite style="font-style:normal">The Second Coming of Aphrodite: Kate Chopin's Fantasy of Desire</cite> », The Kenyon Review, New Series,, <abbr class="abbr" title="volume">vol.</abbr> 5, <abbr class="abbr" title="numéro">no</abbr> 3,‎ <time class="nowrap" datetime="1983" data-sort-value="1983">été 1983</time>, <abbr class="abbr" title="page(s)">p.</abbr> 42-66 (25 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/4335384">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=The+Second+Coming+of+Aphrodite%3A+Kate+Chopin%27s+Fantasy+of+Desire&rft.jtitle=The+Kenyon+Review%2C+New+Series%2C&rft.issue=3&rft.aulast=Gilbert&rft.aufirst=Sandra+M.&rft.date=1983&rft.volume=5&rft.pages=42-66+%2825+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Joyce Cone Dyer et Robert Emmett Monroe, « <cite style="font-style:normal">Texas and Texans in the Fiction of Kate Chopin</cite> », Western American Literature, <abbr class="abbr" title="volume">vol.</abbr> 20, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time class="nowrap" datetime="1985" data-sort-value="1985">printemps 1985</time>, <abbr class="abbr" title="page(s)">p.</abbr> 3-15 (13 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/43019059">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Texas+and+Texans+in+the+Fiction+of+Kate+Chopin&rft.jtitle=Western+American+Literature&rft.issue=1&rft.au=Joyce+Cone+Dyer&rft.au=Robert+Emmett+Monroe&rft.date=1985&rft.volume=20&rft.pages=3-15+%2813+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Gabrielle Baldwin, « <cite style="font-style:normal">The Place of Female Writers in American Literature : The Case of Kate Chopin</cite> », Australasian Journal of American Studies, <abbr class="abbr" title="volume">vol.</abbr> 5, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time class="nowrap" datetime="1986-07" data-sort-value="1986-07">juillet 1986</time>, <abbr class="abbr" title="page(s)">p.</abbr> 50-56 (7 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/41053404">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=The+Place+of+Female+Writers+in+American+Literature+%3A+The+Case+of+Kate+Chopin&rft.jtitle=Australasian+Journal+of+American+Studies&rft.issue=1&rft.aulast=Baldwin&rft.aufirst=Gabrielle&rft.date=1986-07&rft.volume=5&rft.pages=50-56+%287+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Per Seyersted, « <cite style="font-style:normal">Kate Chopin's Wound: Two New Letters</cite> », American Literary Realism, 1870-1910, <abbr class="abbr" title="volume">vol.</abbr> 20, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time>1987</time>, <abbr class="abbr" title="page(s)">p.</abbr> 71-75 (5 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/27746264">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%27s+Wound%3A+Two+New+Letters&rft.jtitle=American+Literary+Realism%2C+1870-1910&rft.issue=1&rft.aulast=Seyersted&rft.aufirst=Per&rft.date=1987&rft.volume=20&rft.pages=71-75+%285+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin"></li></ul>

<div class="mw-heading mw-heading5"><h5 id="Années_1990-1999">Années 1990-1999</h5></div>

<ul><li>Heather Kirk Thomas, « <cite style="font-style:normal">"Development of the Literary West": An Undiscovered Kate Chopin Essay</cite> », American Literary Realism, 1870-1910, <abbr class="abbr" title="volume">vol.</abbr> 22, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1990" data-sort-value="1990">hiver 1990</time>, <abbr class="abbr" title="page(s)">p.</abbr> 69-75 (7 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/27746395">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=%22Development+of+the+Literary+West%22%3A+An+Undiscovered+Kate+Chopin+Essay&rft.jtitle=American+Literary+Realism%2C+1870-1910&rft.issue=2&rft.au=Heather+Kirk+Thomas&rft.date=1990&rft.volume=22&rft.pages=69-75+%287+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Ivy Schweitzer, « <cite style="font-style:normal">Maternal Discourse and the Romance of Self-Possession in Kate Chopin's the Awakening</cite> », boundary 2, <abbr class="abbr" title="volume">vol.</abbr> 17, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time class="nowrap" datetime="1990" data-sort-value="1990">printemps 1990</time>, <abbr class="abbr" title="page(s)">p.</abbr> 158-186 (29 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/303221">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Maternal+Discourse+and+the+Romance+of+Self-Possession+in+Kate+Chopin%27s+the+Awakening&rft.jtitle=boundary+2&rft.issue=1&rft.aulast=Schweitzer&rft.aufirst=Ivy&rft.date=1990&rft.volume=17&rft.pages=158-186+%2829+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Maria Anastasopoulou, « <cite style="font-style:normal">Rites of Passage in Kate Chopin's "The Awakening"</cite> », The Southern Literary Journal, <abbr class="abbr" title="volume">vol.</abbr> 23, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1991" data-sort-value="1991">printemps 1991</time>, <abbr class="abbr" title="page(s)">p.</abbr> 19-30 (12 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/20078014">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Rites+of+Passage+in+Kate+Chopin%27s+%22The+Awakening%22&rft.jtitle=The+Southern+Literary+Journal&rft.issue=2&rft.aulast=Anastasopoulou&rft.aufirst=Maria&rft.date=1991&rft.volume=23&rft.pages=19-30+%2812+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Emily Toth, « <cite style="font-style:normal">Kate Chopin on Divine Love and Suicide: Two Rediscovered Articles</cite> », American Literature, <abbr class="abbr" title="volume">vol.</abbr> 63, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time class="nowrap" datetime="1991-03" data-sort-value="1991-03">mars 1991</time>, <abbr class="abbr" title="page(s)">p.</abbr> 115-121 (7 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/2926566">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin+on+Divine+Love+and+Suicide%3A+Two+Rediscovered+Articles&rft.jtitle=American+Literature&rft.issue=1&rft.aulast=Toth&rft.aufirst=Emily&rft.date=1991-03&rft.volume=63&rft.pages=115-121+%287+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Bert Bender, « <cite style="font-style:normal">Kate Chopin's Quarrel with Darwin before "The Awakening"</cite> », Journal of American Studies, <abbr class="abbr" title="volume">vol.</abbr> 26, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1992-08" data-sort-value="1992-08">août 1992</time>, <abbr class="abbr" title="page(s)">p.</abbr> 185-204 (20 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/27555645">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%27s+Quarrel+with+Darwin+before+%22The+Awakening%22&rft.jtitle=Journal+of+American+Studies&rft.issue=2&rft.aulast=Bender&rft.aufirst=Bert&rft.date=1992-08&rft.volume=26&rft.pages=185-204+%2820+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Dieter Schulz, « <cite style="font-style:normal">Notes toward a fin-de-siècle Reading of Kate Chopin's "The Awakening"</cite> », American Literary Realism, 1870-1910, <abbr class="abbr" title="volume">vol.</abbr> 25, <abbr class="abbr" title="numéro">no</abbr> 3,‎ <time class="nowrap" datetime="1993" data-sort-value="1993">printemps 1993</time>, <abbr class="abbr" title="page(s)">p.</abbr> 69-76 (8 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/27746545">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Notes+toward+a+fin-de-si%C3%A8cle+Reading+of+Kate+Chopin%27s+%22The+Awakening%22&rft.jtitle=American+Literary+Realism%2C+1870-1910&rft.issue=3&rft.aulast=Schulz&rft.aufirst=Dieter&rft.date=1993&rft.volume=25&rft.pages=69-76+%288+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Sylvia Bailey Shurbutt, « <cite style="font-style:normal">The Cane River Characters and Revisionist Mythmaking in the Work of Kate Chopin</cite> », The Southern Literary Journal, <abbr class="abbr" title="volume">vol.</abbr> 25, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1993" data-sort-value="1993">printemps 1993</time>, <abbr class="abbr" title="page(s)">p.</abbr> 14-23 (10 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/20078067">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=The+Cane+River+Characters+and+Revisionist+Mythmaking+in+the+Work+of+Kate+Chopin&rft.jtitle=The+Southern+Literary+Journal&rft.issue=2&rft.au=Sylvia+Bailey+Shurbutt&rft.date=1993&rft.volume=25&rft.pages=14-23+%2810+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Annetta M. F. Kelley, « <cite style="font-style:normal">French Cherries on Cordon Bleu Cakes: Kate Chopin's Usage of Her Second Language</cite> », Louisiana History: The Journal of the Louisiana Historical Association, <abbr class="abbr" title="volume">vol.</abbr> 34, <abbr class="abbr" title="numéro">no</abbr> 3,‎ <time class="nowrap" datetime="1993" data-sort-value="1993">été 1993</time>, <abbr class="abbr" title="page(s)">p.</abbr> 345-356 (12 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/4233041">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=French+Cherries+on+Cordon+Bleu+Cakes%3A+Kate+Chopin%27s+Usage+of+Her+Second+Language&rft.jtitle=Louisiana+History%3A+The+Journal+of+the+Louisiana+Historical+Association&rft.issue=3&rft.aulast=F.+Kelley&rft.aufirst=Annetta+M.&rft.date=1993&rft.volume=34&rft.pages=345-356+%2812+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Martha J. Cutter, « <cite style="font-style:normal">Losing the Battle but Winning the War: Resistance to Patriarchal Discourse in Kate Chopin's Short Fiction</cite> », Legacy, <abbr class="abbr" title="volume">vol.</abbr> 11, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time>1994</time>, <abbr class="abbr" title="page(s)">p.</abbr> 17-36 (20 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/25679112">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Losing+the+Battle+but+Winning+the+War%3A+Resistance+to+Patriarchal+Discourse+in+Kate+Chopin%27s+Short+Fiction&rft.jtitle=Legacy&rft.issue=1&rft.aulast=Cutter&rft.aufirst=Martha+J.&rft.date=1994&rft.volume=11&rft.pages=17-36+%2820+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Janet Goodwyn, « <cite style="font-style:normal">'Dah you is, settin' down, lookin' jis' like w'ite folks!': Ethnicity Enacted in Kate Chopin's Short Fiction</cite> », The Yearbook of English Studies, <abbr class="abbr" title="volume">vol.</abbr> 24,‎ <time>1994</time>, <abbr class="abbr" title="page(s)">p.</abbr> 1-11 (11 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/3507879">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=%27Dah+you+is%2C+settin%27+down%2C+lookin%27+jis%27+like+w%27ite+folks%21%27%3A+Ethnicity+Enacted+in+Kate+Chopin%27s+Short+Fiction&rft.jtitle=The+Yearbook+of+English+Studies&rft.aulast=Goodwyn&rft.aufirst=Janet&rft.date=1994&rft.volume=24&rft.pages=1-11+%2811+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Hugh J. Dawson, « <cite style="font-style:normal">Kate Chopin's "The Awakening:" A Dissenting Opinion</cite> », American Literary Realism, 1870-1910, <abbr class="abbr" title="volume">vol.</abbr> 26, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1994" data-sort-value="1994">hiver 1994</time>, <abbr class="abbr" title="page(s)">p.</abbr> 1-18 (18 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/27746570">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%27s+%22The+Awakening%3A%22+A+Dissenting+Opinion&rft.jtitle=American+Literary+Realism%2C+1870-1910&rft.issue=2&rft.aulast=Dawson&rft.aufirst=Hugh+J.&rft.date=1994&rft.volume=26&rft.pages=1-18+%2818+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>David Steiling, « <cite style="font-style:normal">Multi-cultural Aesthetic in Kate Chopin's "A Gentleman of Bayou Teche"</cite> », The Mississippi Quarterly, <abbr class="abbr" title="volume">vol.</abbr> 47, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1994" data-sort-value="1994">printemps 1994</time>, <abbr class="abbr" title="page(s)">p.</abbr> 197-200 (4 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/26476027">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Multi-cultural+Aesthetic+in+Kate+Chopin%27s+%22A+Gentleman+of+Bayou+Teche%22&rft.jtitle=The+Mississippi+Quarterly&rft.issue=2&rft.aulast=Steiling&rft.aufirst=David&rft.date=1994&rft.volume=47&rft.pages=197-200+%284+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Michele A. Birnbaum, « <cite style="font-style:normal">"Alien Hands": Kate Chopin and the Colonization of Race</cite> », American Literature, <abbr class="abbr" title="volume">vol.</abbr> 66, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1994-06" data-sort-value="1994-06">juin 1994</time>, <abbr class="abbr" title="page(s)">p.</abbr> 301-323 (23 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/2927982">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=%22Alien+Hands%22%3A+Kate+Chopin+and+the+Colonization+of+Race&rft.jtitle=American+Literature&rft.issue=2&rft.aulast=Birnbaum&rft.aufirst=Michele+A.&rft.date=1994-06&rft.volume=66&rft.pages=301-323+%2823+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Annetta M. F. Kelley, « <cite style="font-style:normal">The Sparkle of Diamonds: Kate Chopin's Usage of Subtext in Stories and Novels</cite> », Louisiana History: The Journal of the Louisiana Historical Association, <abbr class="abbr" title="volume">vol.</abbr> 35, <abbr class="abbr" title="numéro">no</abbr> 3,‎ <time class="nowrap" datetime="1994" data-sort-value="1994">été 1994</time>, <abbr class="abbr" title="page(s)">p.</abbr> 331-344 (14 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/4233127">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=The+Sparkle+of+Diamonds%3A+Kate+Chopin%27s+Usage+of+Subtext+in+Stories+and+Novels&rft.jtitle=Louisiana+History%3A+The+Journal+of+the+Louisiana+Historical+Association&rft.issue=3&rft.aulast=F.+Kelley&rft.aufirst=Annetta+M.&rft.date=1994&rft.volume=35&rft.pages=331-344+%2814+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Gregg Camfield, « <cite style="font-style:normal">Kate Chopin-Hauer: Or Can Metaphysics Be Feminized?</cite> », The Southern Literary Journal, <abbr class="abbr" title="volume">vol.</abbr> 27, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1995" data-sort-value="1995">printemps 1995</time>, <abbr class="abbr" title="page(s)">p.</abbr> 3-22 (20 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/20078119">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin-Hauer%3A+Or+Can+Metaphysics+Be+Feminized%3F&rft.jtitle=The+Southern+Literary+Journal&rft.issue=2&rft.aulast=Camfield&rft.aufirst=Gregg&rft.date=1995&rft.volume=27&rft.pages=3-22+%2820+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Walter Taylor et Jo Ann B. Fineman, « <cite style="font-style:normal">Kate Chopin: Pre-Freudian Freudian</cite> », The Southern Literary Journal, <abbr class="abbr" title="volume">vol.</abbr> 29, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time>1996</time>, <abbr class="abbr" title="page(s)">p.</abbr> 35-45 (11 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/20078167">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%3A+Pre-Freudian+Freudian&rft.jtitle=The+Southern+Literary+Journal&rft.issue=1&rft.aulast=Taylor&rft.aufirst=Walter&rft.au=Jo+Ann+B.+Fineman&rft.date=1996&rft.volume=29&rft.pages=35-45+%2811+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Heather Kirk Thomas, « <cite style="font-style:normal">Kate Chopin: A Primary Bibliography, Alphabetically Arranged</cite> », American Literary Realism, 1870-1910, <abbr class="abbr" title="volume">vol.</abbr> 28, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1996" data-sort-value="1996">hiver 1996</time>, <abbr class="abbr" title="page(s)">p.</abbr> 71-88 (18 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/27746654">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%3A+A+Primary+Bibliography%2C+Alphabetically+Arranged&rft.jtitle=American+Literary+Realism%2C+1870-1910&rft.issue=2&rft.au=Heather+Kirk+Thomas&rft.date=1996&rft.volume=28&rft.pages=71-88+%2818+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Karen Simons, « <cite style="font-style:normal">Kate Chopin on the Nature of Things</cite> », The Mississippi Quarterly, <abbr class="abbr" title="volume">vol.</abbr> 51, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="1998" data-sort-value="1998">printemps 1998</time>, <abbr class="abbr" title="page(s)">p.</abbr> 243-252 (10 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/26476987">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin+on+the+Nature+of+Things&rft.jtitle=The+Mississippi+Quarterly&rft.issue=2&rft.aulast=Simons&rft.aufirst=Karen&rft.date=1998&rft.volume=51&rft.pages=243-252+%2810+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Emily Toth, « <cite style="font-style:normal">Emily Toth Thanks Kate Chopin</cite> », The Women's Review of Books, <abbr class="abbr" title="volume">vol.</abbr> 16, <abbr class="abbr" title="numéros">nos</abbr> 10/11,‎ <time class="nowrap" datetime="1999-07" data-sort-value="1999-07">juillet 1999</time>, <abbr class="abbr" title="page(s)">p.</abbr> 34 (1 page) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/4023250">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Emily+Toth+Thanks+Kate+Chopin&rft.jtitle=The+Women%27s+Review+of+Books&rft.issue=10%2F11&rft.aulast=Toth&rft.aufirst=Emily&rft.date=1999-07&rft.volume=16&rft.pages=34+%281+page%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Karin Garlepp Burns, « <cite style="font-style:normal">The Paradox of Objectivity in the Realist Fiction of Edith Wharton and Kate Chopin</cite> », Journal of Narrative Theory, <abbr class="abbr" title="volume">vol.</abbr> 29, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time class="nowrap" datetime="1999" data-sort-value="1999">hiver 1999</time>, <abbr class="abbr" title="page(s)">p.</abbr> 27-61 (35 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/30224543">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=The+Paradox+of+Objectivity+in+the+Realist+Fiction+of+Edith+Wharton+and+Kate+Chopin&rft.jtitle=Journal+of+Narrative+Theory&rft.issue=1&rft.au=Karin+Garlepp+Burns&rft.date=1999&rft.volume=29&rft.pages=27-61+%2835+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li></ul>

<div class="mw-heading mw-heading5"><h5 id="Années_2000-2009">Années 2000-2009</h5></div>

<ul><li>Nancy Walker, « <cite style="font-style:normal">"A group of people at my disposal": Humor in the Works of Kate Chopin</cite> », Legacy, <abbr class="abbr" title="volume">vol.</abbr> 17, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time>2000</time>, <abbr class="abbr" title="page(s)">p.</abbr> 48-58 (11 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/25679316">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=%22A+group+of+people+at+my+disposal%22%3A+Humor+in+the+Works+of+Kate+Chopin&rft.jtitle=Legacy&rft.issue=1&rft.aulast=Walker&rft.aufirst=Nancy&rft.date=2000&rft.volume=17&rft.pages=48-58+%2811+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Lawrence I. Berkove, « <cite style="font-style:normal">Fatal Self-Assertion in Kate Chopin's "The Story of an Hour"</cite> », American Literary Realism, <abbr class="abbr" title="volume">vol.</abbr> 32, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="2000" data-sort-value="2000">hiver 2000</time>, <abbr class="abbr" title="page(s)">p.</abbr> 152-158 (7 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/27746974">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Fatal+Self-Assertion+in+Kate+Chopin%27s+%22The+Story+of+an+Hour%22&rft.jtitle=American+Literary+Realism&rft.issue=2&rft.aulast=Berkove&rft.aufirst=Lawrence+I.&rft.date=2000&rft.volume=32&rft.pages=152-158+%287+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Maureen Anderson, « <cite style="font-style:normal">Unraveling the Southern Pastoral Tradition: A New Look at Kate Chopin's "At Fault"</cite> », The Southern Literary Journal, <abbr class="abbr" title="volume">vol.</abbr> 34, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time>2001</time>, <abbr class="abbr" title="page(s)">p.</abbr> 1-13 (13 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/20078313">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Unraveling+the+Southern+Pastoral+Tradition%3A+A+New+Look+at+Kate+Chopin%27s+%22At+Fault%22&rft.jtitle=The+Southern+Literary+Journal&rft.issue=1&rft.aulast=Anderson&rft.aufirst=Maureen&rft.date=2001&rft.volume=34&rft.pages=1-13+%2813+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Donald Pizer, « <cite style="font-style:normal">A Note on Kate Chopin's "The Awakening" as Naturalistic Fiction</cite> », The Southern Literary Journal, <abbr class="abbr" title="volume">vol.</abbr> 33, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="2001" data-sort-value="2001">printemps 2001</time>, <abbr class="abbr" title="page(s)">p.</abbr> 5-13 (9 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/20078297">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=A+Note+on+Kate+Chopin%27s+%22The+Awakening%22+as+Naturalistic+Fiction&rft.jtitle=The+Southern+Literary+Journal&rft.issue=2&rft.aulast=Pizer&rft.aufirst=Donald&rft.date=2001&rft.volume=33&rft.pages=5-13+%289+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Roberta S. Maguire, « <cite style="font-style:normal">Kate Chopin and Anna Julia Cooper: Critiquing Kentucky and the South</cite> », The Southern Literary Journal, <abbr class="abbr" title="volume">vol.</abbr> 35, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time>2002</time>, <abbr class="abbr" title="page(s)">p.</abbr> 123-137 (15 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/20078353">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin+and+Anna+Julia+Cooper%3A+Critiquing+Kentucky+and+the+South&rft.jtitle=The+Southern+Literary+Journal&rft.issue=1&rft.aulast=Maguire&rft.aufirst=Roberta+S.&rft.date=2002&rft.volume=35&rft.pages=123-137+%2815+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Carolyn L. Mathews, « <cite style="font-style:normal">Fashioning the Hybrid Woman in Kate Chopin's "The Awakening"</cite> », Mosaic: An Interdisciplinary Critical Journal, <abbr class="abbr" title="volume">vol.</abbr> 35, <abbr class="abbr" title="numéro">no</abbr> 3,‎ <time class="nowrap" datetime="2002-09" data-sort-value="2002-09">septembre 2002</time>, <abbr class="abbr" title="page(s)">p.</abbr> 127-149 (23 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/44029956">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Fashioning+the+Hybrid+Woman+in+Kate+Chopin%27s+%22The+Awakening%22&rft.jtitle=Mosaic%3A+An+Interdisciplinary+Critical+Journal&rft.issue=3&rft.aulast=Mathews&rft.aufirst=Carolyn+L.&rft.date=2002-09&rft.volume=35&rft.pages=127-149+%2823+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Christina G. Bucher, « <cite style="font-style:normal">Perversely Reading Kate Chopin's "Fedora"</cite> », The Mississippi Quarterly, <abbr class="abbr" title="volume">vol.</abbr> 56, <abbr class="abbr" title="numéro">no</abbr> 3,‎ <time class="nowrap" datetime="2003" data-sort-value="2003">été 2003</time>, <abbr class="abbr" title="page(s)">p.</abbr> 373-388 (16 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/26476748">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Perversely+Reading+Kate+Chopin%27s+%22Fedora%22&rft.jtitle=The+Mississippi+Quarterly&rft.issue=3&rft.aulast=Bucher&rft.aufirst=Christina+G.&rft.date=2003&rft.volume=56&rft.pages=373-388+%2816+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Jennifer B. Gray, « <cite style="font-style:normal">The Escape of the "Sea": Ideology and "The Awakening"</cite> », The Southern Literary Journal, <abbr class="abbr" title="volume">vol.</abbr> 37, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time>2004</time>, <abbr class="abbr" title="page(s)">p.</abbr> 53-73 (21 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/20078397">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=The+Escape+of+the+%22Sea%22%3A+Ideology+and+%22The+Awakening%22&rft.jtitle=The+Southern+Literary+Journal&rft.issue=1&rft.aulast=Gray&rft.aufirst=Jennifer+B.&rft.date=2004&rft.volume=37&rft.pages=53-73+%2821+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Priscilla Leder, « <cite style="font-style:normal">Kate Chopin's Letter to the World: "Elizabeth Stock's One Story"</cite> », Amerikastudien / American Studies, <abbr class="abbr" title="volume">vol.</abbr> 49, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time>2004</time>, <abbr class="abbr" title="page(s)">p.</abbr> 159-171 (13 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/41157928">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%27s+Letter+to+the+World%3A+%22Elizabeth+Stock%27s+One+Story%22&rft.jtitle=Amerikastudien+%2F+American+Studies&rft.issue=2&rft.aulast=Leder&rft.aufirst=Priscilla&rft.date=2004&rft.volume=49&rft.pages=159-171+%2813+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Maria Mikolchak, « <cite style="font-style:normal">Kate Chopin's "The Awakening" as Part of the Nineteenth-Century American Literary Tradition</cite> », Interdisciplinary Literary Studies, <abbr class="abbr" title="volume">vol.</abbr> 25, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="2004" data-sort-value="2004">printemps 2004</time>, <abbr class="abbr" title="page(s)">p.</abbr> 29-49 (21 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/41207027">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%27s+%22The+Awakening%22+as+Part+of+the+Nineteenth-Century+American+Literary+Tradition&rft.jtitle=Interdisciplinary+Literary+Studies&rft.issue=2&rft.aulast=Mikolchak&rft.aufirst=Maria&rft.date=2004&rft.volume=25&rft.pages=29-49+%2821+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Allen Stein, « <cite style="font-style:normal">Kate Chopin's "A Pair of Silk Stockings": The Marital Burden and the Lure of Consumerism</cite> », The Mississippi Quarterly, <abbr class="abbr" title="volume">vol.</abbr> 57, <abbr class="abbr" title="numéro">no</abbr> 3,‎ <time class="nowrap" datetime="2004" data-sort-value="2004">été 2004</time>, <abbr class="abbr" title="page(s)">p.</abbr> 357-368 (12 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/26466978">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%27s+%22A+Pair+of+Silk+Stockings%22%3A+The+Marital+Burden+and+the+Lure+of+Consumerism&rft.jtitle=The+Mississippi+Quarterly&rft.issue=3&rft.aulast=Stein&rft.aufirst=Allen&rft.date=2004&rft.volume=57&rft.pages=357-368+%2812+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Erik Margraf, « <cite style="font-style:normal">Kate Chopin's "The Awakening" as a Naturalistic Novel</cite> », American Literary Realism, <abbr class="abbr" title="volume">vol.</abbr> 37, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="2005" data-sort-value="2005">hiver 2005</time>, <abbr class="abbr" title="page(s)">p.</abbr> 93-116 (24 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/27747161">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%27s+%22The+Awakening%22+as+a+Naturalistic+Novel&rft.jtitle=American+Literary+Realism&rft.issue=2&rft.aulast=Margraf&rft.aufirst=Erik&rft.date=2005&rft.volume=37&rft.pages=93-116+%2824+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Kathleen Nigro, « <cite style="font-style:normal">Mr. Emerson Comes to St. Louis: "Inspiration" and Kate Chopin</cite> », The Concord Saunterer, New Series, <abbr class="abbr" title="volume">vol.</abbr> 14,‎ <time>2006</time>, <abbr class="abbr" title="page(s)">p.</abbr> 90-103 (14 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/23395102">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Mr.+Emerson+Comes+to+St.+Louis%3A+%22Inspiration%22+and+Kate+Chopin&rft.jtitle=The+Concord+Saunterer%2C+New+Series&rft.aulast=Nigro&rft.aufirst=Kathleen&rft.date=2006&rft.volume=14&rft.pages=90-103+%2814+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Michael Tritt, « <cite style="font-style:normal">Kate Chopin's "Cavanelle" and The American Jewess: An Impressive Synergy</cite> », The Mississippi Quarterly, <abbr class="abbr" title="volume">vol.</abbr> 59, <abbr class="abbr" title="numéros">nos</abbr> 3/4,‎ <time>2006</time>, <abbr class="abbr" title="page(s)">p.</abbr> 543-558 (16 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/26467025">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%27s+%22Cavanelle%22+and+The+American+Jewess%3A+An+Impressive+Synergy&rft.jtitle=The+Mississippi+Quarterly&rft.issue=3%2F4&rft.aulast=Tritt&rft.aufirst=Michael&rft.date=2006&rft.volume=59&rft.pages=543-558+%2816+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Tara K. Parmiter, « <cite style="font-style:normal">Taking the Waters: The Summer Place and Women's Health in Kate Chopin's "The Awakening"</cite> », American Literary Realism, <abbr class="abbr" title="volume">vol.</abbr> 39, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time>2006</time>, <abbr class="abbr" title="page(s)">p.</abbr> 1-19 (19 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/27747228">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Taking+the+Waters%3A+The+Summer+Place+and+Women%27s+Health+in+Kate+Chopin%27s+%22The+Awakening%22&rft.jtitle=American+Literary+Realism&rft.issue=1&rft.aulast=Parmiter&rft.aufirst=Tara+K.&rft.date=2006&rft.volume=39&rft.pages=1-19+%2819+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Bradley C. Edwards, « <cite style="font-style:normal">Allusion and the Evolution of Artistry in Kate Chopin's "A Wizard from Gettysburg" and "After the Winter"</cite> », American Literary Realism, <abbr class="abbr" title="volume">vol.</abbr> 39, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="2007" data-sort-value="2007">hiver 2007</time>, <abbr class="abbr" title="page(s)">p.</abbr> 138-149 (12 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/27747244">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Allusion+and+the+Evolution+of+Artistry+in+Kate+Chopin%27s+%22A+Wizard+from+Gettysburg%22+and+%22After+the+Winter%22&rft.jtitle=American+Literary+Realism&rft.issue=2&rft.aulast=Edwards&rft.aufirst=Bradley+C.&rft.date=2007&rft.volume=39&rft.pages=138-149+%2812+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Nicole Camastra, « <cite style="font-style:normal">Venerable Sonority in Kate Chopin's "The Awakening"</cite> », American Literary Realism, <abbr class="abbr" title="volume">vol.</abbr> 40, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="2008" data-sort-value="2008">hiver 2008</time>, <abbr class="abbr" title="page(s)">p.</abbr> 154-166 (13 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/27747284">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Venerable+Sonority+in+Kate+Chopin%27s+%22The+Awakening%22&rft.jtitle=American+Literary+Realism&rft.issue=2&rft.aulast=Camastra&rft.aufirst=Nicole&rft.date=2008&rft.volume=40&rft.pages=154-166+%2813+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li></ul>

<div class="mw-heading mw-heading5"><h5 id="Années_2010-2019">Années 2010-2019</h5></div>

<ul><li>Dagmar Pegues, « <cite style="font-style:normal">Fear and Desire: Regional Aesthetics and Colonial Desire in Kate Chopin's Portrayals of the Tragic Mulatta Stereotype</cite> », The Southern Literary Journal, <abbr class="abbr" title="volume">vol.</abbr> 43, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time>2010</time>, <abbr class="abbr" title="page(s)">p.</abbr> 1-22 (22 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/41057652">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Fear+and+Desire%3A+Regional+Aesthetics+and+Colonial+Desire+in+Kate+Chopin%27s+Portrayals+of+the+Tragic+Mulatta+Stereotype&rft.jtitle=The+Southern+Literary+Journal&rft.issue=1&rft.aulast=Pegues&rft.aufirst=Dagmar&rft.date=2010&rft.volume=43&rft.pages=1-22+%2822+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>John Glendening, « <cite style="font-style:normal">Evolution, Narcissism, and Maladaptation in Kate Chopin’s The Awakening</cite> », American Literary Realism, <abbr class="abbr" title="volume">vol.</abbr> 43, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time>2010</time>, <abbr class="abbr" title="page(s)">p.</abbr> 41-73 (33 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/10.5406/amerlitereal.43.1.0041">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Evolution%2C+Narcissism%2C+and+Maladaptation+in+Kate+Chopin%E2%80%99s+The+Awakening&rft.jtitle=American+Literary+Realism&rft.issue=1&rft.aulast=Glendening&rft.aufirst=John&rft.date=2010&rft.volume=43&rft.pages=41-73+%2833+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Gary H. Mayer, « <cite style="font-style:normal">A Matter of Behavior : A Semantic Analysis of Five Kate Chopin Stories</cite> », ETC: A Review of General Semantics, <abbr class="abbr" title="volume">vol.</abbr> 67, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time class="nowrap" datetime="2010-01" data-sort-value="2010-01">janvier 2010</time>, <abbr class="abbr" title="page(s)">p.</abbr> 94-100 (7 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/42579009">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=A+Matter+of+Behavior+%3A+A+Semantic+Analysis+of+Five+Kate+Chopin+Stories&rft.jtitle=ETC%3A+A+Review+of+General+Semantics&rft.issue=1&rft.aulast=Mayer&rft.aufirst=Gary+H.&rft.date=2010-01&rft.volume=67&rft.pages=94-100+%287+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Mariko Utsu, « <cite style="font-style:normal">Lesbian and Heterosexual Duality in Kate Chopin's "Lilacs"</cite> », The Mississippi Quarterly, <abbr class="abbr" title="volume">vol.</abbr> 63, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="2010" data-sort-value="2010">printemps 2010</time>, <abbr class="abbr" title="page(s)">p.</abbr> 299-312 (14 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/26477322">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Lesbian+and+Heterosexual+Duality+in+Kate+Chopin%27s+%22Lilacs%22&rft.jtitle=The+Mississippi+Quarterly&rft.issue=2&rft.aulast=Utsu&rft.aufirst=Mariko&rft.date=2010&rft.volume=63&rft.pages=299-312+%2814+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Peter Ramos, « <cite style="font-style:normal">Unbearable Realism: Freedom, Ethics and Identity in "The Awakening"</cite> », College Literature, <abbr class="abbr" title="volume">vol.</abbr> 37, <abbr class="abbr" title="numéro">no</abbr> 4,‎ <time>2010</time>, <abbr class="abbr" title="page(s)">p.</abbr> 145-165 (21 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/27917768">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Unbearable+Realism%3A+Freedom%2C+Ethics+and+Identity+in+%22The+Awakening%22&rft.jtitle=College+Literature&rft.issue=4&rft.aulast=Ramos&rft.aufirst=Peter&rft.date=2010&rft.volume=37&rft.pages=145-165+%2821+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Xianfeng Mou, « <cite style="font-style:normal">Kate Chopin's Narrative Techniques and Separate Space in "The Awakening"</cite> », The Southern Literary Journal, <abbr class="abbr" title="volume">vol.</abbr> 44, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time>2011</time>, <abbr class="abbr" title="page(s)">p.</abbr> 103-120 (18 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/23208772">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%27s+Narrative+Techniques+and+Separate+Space+in+%22The+Awakening%22&rft.jtitle=The+Southern+Literary+Journal&rft.issue=1&rft.aulast=Mou&rft.aufirst=Xianfeng&rft.date=2011&rft.volume=44&rft.pages=103-120+%2818+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Kwangsoon Kim, « <cite style="font-style:normal">Edna's Psychological DilemnaI: Lacanian Reading of Kate Chopin's "The Awakening"</cite> », CLA Journal, <abbr class="abbr" title="volume">vol.</abbr> 55, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time class="nowrap" datetime="2011-09" data-sort-value="2011-09">septembre 2011</time>, <abbr class="abbr" title="page(s)">p.</abbr> 70-85 (16 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/44394385">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Edna%27s+Psychological+DilemnaI%3A+Lacanian+Reading+of+Kate+Chopin%27s+%22The++Awakening%22&rft.jtitle=CLA+Journal&rft.issue=1&rft.aulast=Kim&rft.aufirst=Kwangsoon&rft.date=2011-09&rft.volume=55&rft.pages=70-85+%2816+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>David Z. Wehner, « <cite style="font-style:normal">"A Lot Up For Grabs": The Idiosyncratic, Syncretic Religious Temperament of Kate Chopin</cite> », American Literary Realism, <abbr class="abbr" title="volume">vol.</abbr> 43, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="2011" data-sort-value="2011">hiver 2011</time>, <abbr class="abbr" title="page(s)">p.</abbr> 154-168 (15 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/10.5406/amerlitereal.43.2.0154">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=%22A+Lot+Up+For+Grabs%22%3A+The+Idiosyncratic%2C+Syncretic+Religious+Temperament+of+Kate+Chopin&rft.jtitle=American+Literary+Realism&rft.issue=2&rft.aulast=Wehner&rft.aufirst=David+Z.&rft.date=2011&rft.volume=43&rft.pages=154-168+%2815+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Linda Kornasky, « <cite style="font-style:normal">"Discovery of a Treasury": Orrick Johns and the Influence of Kate Chopin's "The Awakening" on Edith Summers Kelley's "Weeds"</cite> », Studies in American Naturalism, <abbr class="abbr" title="volume">vol.</abbr> 6, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="2011" data-sort-value="2011">hiver 2011</time>, <abbr class="abbr" title="page(s)">p.</abbr> 197-215 (19 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/23431265">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=%22Discovery+of+a+Treasury%22%3A+Orrick+Johns+and+the+Influence+of+Kate+Chopin%27s+%22The+Awakening%22+on+Edith+Summers+Kelley%27s+%22Weeds%22&rft.jtitle=Studies+in+American+Naturalism&rft.issue=2&rft.aulast=Kornasky&rft.aufirst=Linda&rft.date=2011&rft.volume=6&rft.pages=197-215+%2819+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Margot Sempreora, « <cite style="font-style:normal">Dead Women Talking: The Transgressive Manuscripts of Kate Chopin's "Her Letters" and "Elizabeth Stock's One Story"</cite> », The Mississippi Quarterly, <abbr class="abbr" title="volume">vol.</abbr> 65, <abbr class="abbr" title="numéro">no</abbr> 4,‎ <time>2012</time>, <abbr class="abbr" title="page(s)">p.</abbr> 451-464 (14 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/26467205">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Dead+Women+Talking%3A+The+Transgressive+Manuscripts+of+Kate+Chopin%27s+%22Her+Letters%22+and+%22Elizabeth+Stock%27s+One+Story%22&rft.jtitle=The+Mississippi+Quarterly&rft.issue=4&rft.aulast=Sempreora&rft.aufirst=Margot&rft.date=2012&rft.volume=65&rft.pages=451-464+%2814+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Florian Freitag, « <cite style="font-style:normal">Rencontres américaines: Encounters between Anglo-Americans and French Americans in Kate Chopin's Short Stories</cite> », Amerikastudien / American Studies, <abbr class="abbr" title="volume">vol.</abbr> 58, <abbr class="abbr" title="numéro">no</abbr> 3,‎ <time>2013</time>, <abbr class="abbr" title="page(s)">p.</abbr> 409-426 (18 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/43485898">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Rencontres+am%C3%A9ricaines%3A+Encounters+between+Anglo-Americans+and+French+Americans+in+Kate+Chopin%27s+Short+Stories&rft.jtitle=Amerikastudien+%2F+American+Studies&rft.issue=3&rft.aulast=Freitag&rft.aufirst=Florian&rft.date=2013&rft.volume=58&rft.pages=409-426+%2818+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Bonnie James Shaker et Angela Gianoglio Pettitt, « <cite style="font-style:normal">“Her First Party” as Her Last Story: Recovering Kate Chopin's Fiction</cite> », Legacy, <abbr class="abbr" title="volume">vol.</abbr> 30, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time>2013</time>, <abbr class="abbr" title="page(s)">p.</abbr> 384-396 (13 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/10.5250/legacy.30.2.0384">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=%E2%80%9CHer+First+Party%E2%80%9D+as+Her+Last+Story%3A+Recovering+Kate+Chopin%27s+Fiction&rft.jtitle=Legacy&rft.issue=2&rft.au=Bonnie+James+Shaker&rft.au=Angela+Gianoglio+Pettitt&rft.date=2013&rft.volume=30&rft.pages=384-396+%2813+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Amanda Lee Castro, « <cite style="font-style:normal">Storm Warnings: The Eternally Recurring Apocalypse in Kate Chopin's "The Awakening"</cite> », The Southern Literary Journal, <abbr class="abbr" title="volume">vol.</abbr> 47, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time>2014</time>, <abbr class="abbr" title="page(s)">p.</abbr> 68-80 (13 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/24389027">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Storm+Warnings%3A+The+Eternally+Recurring+Apocalypse+in+Kate+Chopin%27s+%22The+Awakening%22&rft.jtitle=The+Southern+Literary+Journal&rft.issue=1&rft.au=Amanda+Lee+Castro&rft.date=2014&rft.volume=47&rft.pages=68-80+%2813+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Heather Fox, « <cite style="font-style:normal">Mapping Spatial Consciousness in Kate Chopin's "Bayou Folks" Stories</cite> », South: A Scholarly Journal, <abbr class="abbr" title="volume">vol.</abbr> 48, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time>2015</time>, <abbr class="abbr" title="page(s)">p.</abbr> 108-128 (21 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/24721802">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Mapping+Spatial+Consciousness+in+Kate+Chopin%27s+%22Bayou+Folks%22+Stories&rft.jtitle=South%3A+A+Scholarly+Journal&rft.issue=1&rft.aulast=Fox&rft.aufirst=Heather&rft.date=2015&rft.volume=48&rft.pages=108-128+%2821+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>John W. Crowley, « <cite style="font-style:normal">Kate Chopin, Frédéric Chopin, and the Music of the Future</cite> », American Literary Realism, <abbr class="abbr" title="volume">vol.</abbr> 47, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time class="nowrap" datetime="2015" data-sort-value="2015">hiver 2015</time>, <abbr class="abbr" title="page(s)">p.</abbr> 95-116 (22 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/10.5406/amerlitereal.47.2.0095">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin%2C+Fr%C3%A9d%C3%A9ric+Chopin%2C+and+the+Music+of+the+Future&rft.jtitle=American+Literary+Realism&rft.issue=2&rft.aulast=Crowley&rft.aufirst=John+W.&rft.date=2015&rft.volume=47&rft.pages=95-116+%2822+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Molly J. Hildebrand, « <cite style="font-style:normal">The Masculine Sea: Gender, Art, and Suicide in Kate Chopin's The Awakening</cite> », American Literary Realism, <abbr class="abbr" title="volume">vol.</abbr> 48, <abbr class="abbr" title="numéro">no</abbr> 3,‎ <time class="nowrap" datetime="2016" data-sort-value="2016">printemps 2016</time>, <abbr class="abbr" title="page(s)">p.</abbr> 189-208 (20 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/10.5406/amerlitereal.48.3.0189">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=The+Masculine+Sea%3A+Gender%2C+Art%2C+and+Suicide+in+Kate+Chopin%27s+The+Awakening&rft.jtitle=American+Literary+Realism&rft.issue=3&rft.aulast=Hildebrand&rft.aufirst=Molly+J.&rft.date=2016&rft.volume=48&rft.pages=189-208+%2820+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Jessica Bridget George, « <cite style="font-style:normal">"The Whole Island Seems Changed": A Bioregional Approach to Kate Chopin's Fiction</cite> », The Journal of the Midwest Modern Language Association,, <abbr class="abbr" title="volume">vol.</abbr> 49, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time class="nowrap" datetime="2016" data-sort-value="2016">printemps 2016</time>, <abbr class="abbr" title="page(s)">p.</abbr> 25-51 (27 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/44134675">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=%22The+Whole+Island+Seems+Changed%22%3A+A+Bioregional+Approach+to+Kate+Chopin%27s+Fiction&rft.jtitle=The+Journal+of+the+Midwest+Modern+Language+Association%2C&rft.issue=1&rft.au=Jessica+Bridget+George&rft.date=2016&rft.volume=49&rft.pages=25-51+%2827+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Arielle Zibrak, « <cite style="font-style:normal">Kissing a Photograph: Reproductive Panic in Kate Chopin and Thomas Hardy</cite> », Criticism, <abbr class="abbr" title="volume">vol.</abbr> 58, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time class="nowrap" datetime="2016" data-sort-value="2016">été 2016</time>, <abbr class="abbr" title="page(s)">p.</abbr> 355-374 (20 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/10.13110/criticism.58.3.0355">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kissing+a+Photograph%3A+Reproductive+Panic+in+Kate+Chopin+and+Thomas+Hardy&rft.jtitle=Criticism&rft.issue=1&rft.aulast=Zibrak&rft.aufirst=Arielle&rft.date=2016&rft.volume=58&rft.pages=355-374+%2820+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Bonnie James Shaker, Angela Gianoglio Pettitt et Lael'l Hugues-Watkins, « <cite style="font-style:normal">Recovering Kate Chopin's "Her First Party": Media, Mediation, Message</cite> », American Periodicals, <abbr class="abbr" title="volume">vol.</abbr> 27, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time>2017</time>, <abbr class="abbr" title="page(s)">p.</abbr> 21-24 (4 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/44630694">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Recovering+Kate+Chopin%27s+%22Her+First+Party%22%3A+Media%2C+Mediation%2C+Message&rft.jtitle=American+Periodicals&rft.issue=1&rft.au=Bonnie+James+Shaker&rft.au=Angela+Gianoglio+Pettitt&rft.au=Lael%27l+Hugues-Watkins&rft.date=2017&rft.volume=27&rft.pages=21-24+%284+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Bonnie Stepenoff, « <cite style="font-style:normal">The Real “Maid of Saint Phillippe”: Kate Chopin’s French Colonial Heritage</cite> », French Colonial History, <abbr class="abbr" title="volume">vol.</abbr> 17,‎ <time class="nowrap" datetime="2017" data-sort-value="2017">printemps 2017</time>, <abbr class="abbr" title="page(s)">p.</abbr> 67-80 (14 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/10.14321/frencolohist.17.1.0067">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=The+Real+%E2%80%9CMaid+of+Saint+Phillippe%E2%80%9D%3A+Kate+Chopin%E2%80%99s+French+Colonial+Heritage&rft.jtitle=French+Colonial+History&rft.aulast=Stepenoff&rft.aufirst=Bonnie&rft.date=2017&rft.volume=17&rft.pages=67-80+%2814+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Meeyoung Kang, « <cite style="font-style:normal">Aesthetics of Desublimation in Kate Chopin's The Awakening</cite> », Interdisciplinary Literary Studies, <abbr class="abbr" title="volume">vol.</abbr> 21, <abbr class="abbr" title="numéro">no</abbr> 2,‎ <time>2019</time>, <abbr class="abbr" title="page(s)">p.</abbr> 238-258 (21 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/10.5325/intelitestud.21.2.0238">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Aesthetics+of+Desublimation+in+Kate+Chopin%27s+The+Awakening&rft.jtitle=Interdisciplinary+Literary+Studies&rft.issue=2&rft.aulast=Kang&rft.aufirst=Meeyoung&rft.date=2019&rft.volume=21&rft.pages=238-258+%2821+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>James A. Puckett, « <cite style="font-style:normal">Death and “Divine Love”: Kate Chopin's Reading of Walt Whitman</cite> », American Literary Realism, <abbr class="abbr" title="volume">vol.</abbr> 52, <abbr class="abbr" title="numéro">no</abbr> 1,‎ <time>2019</time>, <abbr class="abbr" title="page(s)">p.</abbr> 68-88 (21 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/10.5406/amerlitereal.52.1.0068">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Death+and+%E2%80%9CDivine+Love%E2%80%9D%3A+Kate+Chopin%27s+Reading+of+Walt+Whitman&rft.jtitle=American+Literary+Realism&rft.issue=1&rft.aulast=Puckett&rft.aufirst=James+A.&rft.date=2019&rft.volume=52&rft.pages=68-88+%2821+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li></ul>

<div class="mw-heading mw-heading4"><h4 id="Articles_francophones">Articles francophones</h4></div>

<ul><li>Marie-Claude Perrin-Chenour, « <cite style="font-style:normal">Kate Chopin et Willa Cather: la filiation problématique dans "The Awakening" et "O Pioneers!"</cite> », Revue française d'études américaine, <abbr class="abbr" title="numéro">no</abbr> 69,‎ <time class="nowrap" datetime="1996-06" data-sort-value="1996-06">juin 1996</time>, <abbr class="abbr" title="page(s)">p.</abbr> 58-66 (9 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/20874319">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Kate+Chopin+et+Willa+Cather%3A+la+filiation+probl%C3%A9matique+dans+%22The+Awakening%22+et+%22O+Pioneers%21%22&rft.jtitle=Revue+fran%C3%A7aise+d%27%C3%A9tudes+am%C3%A9ricaine&rft.issue=69&rft.aulast=Perrin-Chenour&rft.aufirst=Marie-Claude&rft.date=1996-06&rft.pages=58-66+%289+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li>

<li>Danièle Pitavy-Souques, « <cite style="font-style:normal">Dire la femme nouvelle: quelques stratégies narratives chez Ellen Glasgow, Kate Chopin Willa Cather</cite> », Revue française d'études américaines, <abbr class="abbr" title="numéro">no</abbr> 69,‎ <time class="nowrap" datetime="1996-06" data-sort-value="1996-06">juin 1996</time>, <abbr class="abbr" title="page(s)">p.</abbr> 67-76 (10 pages) (<a rel="nofollow" class="external text" href="https://www.jstor.org/stable/20874320">lire en ligne</a> )<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=Dire+la+femme+nouvelle%3A+quelques+strat%C3%A9gies+narratives+chez+Ellen+Glasgow%2C+Kate+Chopin+Willa+Cather&rft.jtitle=Revue+fran%C3%A7aise+d%27%C3%A9tudes+am%C3%A9ricaines&rft.issue=69&rft.aulast=Pitavy-Souques&rft.aufirst=Dani%C3%A8le&rft.date=1996-06&rft.pages=67-76+%2810+pages%29&rfr_id=info%3Asid%2Ffr.wikipedia.org%3AKate+Chopin">,</li></ul>

<div class="mw-heading mw-heading3"><h3 id="Liens_externes">Liens externes</h3></div>

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<ul><li><cite class="ouvrage" id="site_officiel" style="font-style: normal;"><a rel="nofollow" class="external text" href="http://KateChopin.org">The Kate Chopin International Society</a></cite></li></ul>

<li>Ressources relatives à la musique : <ul><li><a rel="nofollow" class="external text" href="https://imslp.org/wiki/Category%3AChopin%2C_Kate">International Music Score Library Project</a></li> <li><a rel="nofollow" class="external text" href="https://www.discogs.com/artist/2427466">Discogs</a></li> </ul></li>

<li>Ressource relative à la littérature : <ul><li><a rel="nofollow" class="external text" href="http://www.isfdb.org/cgi-bin/ea.cgi?19535">Internet Speculative Fiction Database</a></li> </ul></li>

<li>Ressource relative à la bande dessinée : <ul><li><a rel="nofollow" class="external text" href="https://comicvine.gamespot.com/wd/4040-82977/">Comic Vine</a></li> </ul></li>

<li>Ressource relative à l'audiovisuel : <ul><li><a class="external text" href="https://wikidata-externalid-url.toolforge.org/?p=345&url_prefix=https://www.imdb.com/&id=nm0159136">IMDb</a></li> </ul> </li>

<li><div class="liste-horizontale">Notices dans des dictionnaires ou encyclopédies généralistes : <ul><li><a rel="nofollow" class="external text" href="https://doi.org/10.1093/anb/9780198606697.article.1600295">American National Biography</a></li> <li><a rel="nofollow" class="external text" href="https://www.britannica.com/biography/Kate-Chopin">Britannica</a></li> <li><a rel="nofollow" class="external text" href="https://brockhaus.de/ecs/enzy/article/chopin-kate">Brockhaus</a></li> <li><a rel="nofollow" class="external text" href="https://denstoredanske.lex.dk//Kate_Chopin/">Den Store Danske Encyklopædi</a></li> <li><a rel="nofollow" class="external text" href="http://www.deutsche-biographie.de/118885820.html">Deutsche Biographie</a></li> <li><a rel="nofollow" class="external text" href="https://www.dictionnaire-creatrices.com/fiche-kate-chopin">Dictionnaire universel des créatrices</a></li> <li><a rel="nofollow" class="external text" href="http://www.enciklopedija.hr/Natuknica.aspx?ID=11685">Hrvatska Enciklopedija</a></li> <li><a rel="nofollow" class="external text" href="https://encyklopedia.pwn.pl/haslo/;3885798">Internetowa encyklopedia PWN</a></li> <li><a rel="nofollow" class="external text" href="https://www.ne.se/uppslagsverk/encyklopedi/lång/kate-chopin">Nationalencyklopedin</a></li> <li><a rel="nofollow" class="external text" href="https://snl.no/Kate_Chopin">Store norske leksikon</a></li> <li><a rel="nofollow" class="external text" href="https://www.vle.lt/Straipsnis/kate-chopin">Visuotinė lietuvių enciklopedija</a></li> </ul></div></li>

<li><div class="liste-horizontale"><a href="Autorit%C3%A9_(sciences_de_l'information)" title="Autorité (sciences de l'information)">Notices d'autorité</a> : <ul><li><a rel="nofollow" class="external text" href="http://viaf.org/viaf/46758932">VIAF</a></li> <li><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000122794532">ISNI</a></li> <li><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb118967614">BnF</a> (<a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb118967614">données</a>)</li> <li><a rel="nofollow" class="external text" href="http://www.idref.fr/026787954">IdRef</a></li> <li><a rel="nofollow" class="external text" href="http://id.loc.gov/authorities/n80008080">LCCN</a></li> <li><a rel="nofollow" class="external text" href="http://d-nb.info/gnd/118885820">GND</a></li> <li><a rel="nofollow" class="external text" href="https://opac.sbn.it/nome/CFIV094258">Italie</a></li> <li><a rel="nofollow" class="external text" href="https://id.ndl.go.jp/auth/ndlna/00512520">Japon</a></li> <li><a rel="nofollow" class="external text" href="http://ci.nii.ac.jp/author/DA03312928?l=en">CiNii</a></li> <li><a rel="nofollow" class="external text" href="https://datos.bne.es/resource/XX901037">Espagne</a></li> <li><a rel="nofollow" class="external text" href="https://opac.kbr.be/LIBRARY/doc/AUTHORITY/14552704">Belgique</a></li> <li><a rel="nofollow" class="external text" href="http://data.bibliotheken.nl/id/thes/p068429509">Pays-Bas</a></li> <li><a rel="nofollow" class="external text" href="https://dbn.bn.org.pl/descriptor-details/9810690567705606">Pologne</a></li> <li><a rel="nofollow" class="external text" href="https://www.nli.org.il/en/authorities/987007279042605171">Israël</a></li> <li><a rel="nofollow" class="external text" href="http://nukat.edu.pl/aut/n%20%2096004096">NUKAT</a></li> <li><a rel="nofollow" class="external text" href="https://cantic.bnc.cat/registre/981058518125706706">Catalogne</a></li> <li><a rel="nofollow" class="external text" href="https://libris.kb.se/auth/181560">Suède</a></li> <li><a rel="nofollow" class="external text" href="https://www.collectionscanada.gc.ca/canadiana-authorities/index/view?index_name=cdnAutNbr&lang=fr&search_text=0068D9250&page=1&cdnAutNbr0068D9250">Canada</a></li> </ul></div></li></ul>

<ul id="bandeau-portail" class="bandeau-portail"><li> Portail de la littérature américaine </li> <li> Portail de la poésie </li> <li> Portail de la littérature d’enfance et de jeunesse </li> <li> Portail des femmes et du féminisme </li> <li> Portail de la Louisiane </li> </ul></div><div><div class="zim-footer">

Cet article est issu de <a class="external text" title="Dernière modification le 2025-09-12" href="https://fr.wikipedia.org/wiki/?title=Kate_Chopin&oldid=228918933">Wikipédia</a>. Sauf mention contraire, le texte est disponible sous <a class="external text" href="https://creativecommons.org/licenses/by-sa/4.0/deed.fr">Creative Commons Attribution-Share Alike 4.0</a>. Des conditions supplémentaires peuvent s’appliquer aux fichiers multimédias.

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